Anybody know what this filter/lens is for?

John Koehrer

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Isn't a convex lens usually a close-up lens? I don't know why you would use it with an enlarger though. perhaps with the lens on a bellows for macro?
Someone here will know.
 

phaedrus

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Co you think this could be a diffusion lens for portrait work. I can make out the letter "D" - just a thought.

Mike

Don't think so. If you'd enlarge a negative through a diffuser, the blacks would diffuse out, an impression reminescent of drawing with coal. This has been done, but I haven't seen it in portraiture.

Christoph
 

MikeK

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Don't think so. If you'd enlarge a negative through a diffuser, the blacks would diffuse out, an impression reminescent of drawing with coal. This has been done, but I haven't seen it in portraiture.

Christoph

I have a kodak portrait diffuser that came as part of a set with a Precision Enlarger, also Omega has a wire frame portrait diffuser for the D series enlargers.

I agree it is best to use diffusion on the camera lens but there are enlarger attachments out there

Mike
 

keithwms

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The screw-in is probably just a diopter to permit better performance at close focus. If so and it is a modern Nikon diopter then instead of the "D" it would probably have a label 2T or 4T or something like that on it. Sometimes people use the EL lenses for macro, and then you'd want the diopter. But it doesn't make too much sense shooting macro this way around, better would be to reverse the EL lens. Then it is good out to rather large reproduction ratios. Probably this person used the diopter in lieu of another EL lens for a different reproduction scale. Just a guess.

Anyway it is a super enlarger lens, I have one.
 

keithwms

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Oh, regarding the use of a diffuser on an EL lens, methinks it would be best to diffuse via a texturing material closer to the print rather than closer to the lens. Otherwise the lens will simply magnify the texture and flaws of the diffusing medium at the same rate as the negative itself is enlarged. Make sense? For finer diffusion I think one would want to put some plastic right over the paper, for example I recently experimented with the thin plastic used for negative sleeves in this way, and you get some finer diffusion. I tried using a diffusing screw-on once and... yuck. Quite different from shooting with a proper SF lens.

N.b. I am not speaking from much experience, I spend most of my time trying to get sharper prints and good tone scales, not diffused ones
 

Ed Sukach

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I once bought two used 40.5mm "Softeners" (that is the only marking on the filters) for $1 each, solely for the fact that they fit my Rodenstock enlarging lenses. Today, I consider these to be the most valuable enlarging accessories I own. They work *wonders* in portraiture, "removing" odd blemishes, minimizing "lines", etc. I have given up using softening filters on my cameras ... I would rather capture everything on film, and have the flexibility of removing what I don't want in printing.
If there are any flaws in these filters, they are far enough away from the plane of the negative NOT to be seen in the final print.

If the filters in question are, in fact, "curved", they will affect the focal length of the lens and filter system - probably to enable larger prints to be made with less distance from the negative to the paper.
 
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