wogster
Member
lab in Toronto for E6 processing, preferably mid North York, near Downsview Park, cost of processing a roll would be handy as well.....
Elevator is an APUG sponsor, try them. www.elevatordigital.ca Don't let the name put you off, they are fully committed to film.
Another option is http://www.torontoimageworks.com/film_processing.html
Never used them for E6, but Silvano does process slides on-site. Henry's ships out to them too, I believe. Not really North York, but closer than Elevator.
http://www.silvanoimaging.com/E6.html
Clearly you need to shoot more often. That can only improve your work and get you into the better price range.
John Powers
What's your liability policy if you screw up my film?
I just did 6 rolls of 120 at TIW a couple of weeks ago and it was amazing. I took them in at 11:00am and picked it up at 3:00. Four of the rolls were E-6 and they came out amazing. I will be mailing my film to them more often as it was a bit of a pain to get into the city etc. I live in Waterloo and the only e-6 processing in town is $14 per roll versus $6 per roll at TIW.
Cheers,
Sean
I don't have a liability policy. There are inherent risks with any film process.
I used to get my 120 and 4x5 done at Browns Lab too. Cindy and her husband are nice people (I used to work with their daughter way back in the restaurant biz when I was younger). However they did manage to obliterate 5-8 sheets of 4x5 after turning on the lights in the darkroom by accident. All I got was an apology. What else can I expect?
Many processing systems are roller driven and tend to scratch films if they are not cleaned and maintained. I've run into that at several labs. Another big problem is that most labs replenish their chemicals to minimize overhead. Both at Browns and at TIW I've received film back that was green. The D-max or film base was all cast in green instead of black. Wonderful, what am I to do there? They would blame the film and the storage of it instead of their processing.
Film is pretty resilient. Apart from being a crazy meticulous photographer, I also work in the movie business professionally and know that it is pretty hard to screw up your film while shooting if you know what you are doing. I've shot in cold, hot, with expired E6 films, left film exposed but unprocessed for up to 6 months and all of it turned out fine. It's definitely easier for the labs to screw that up. But they will never admit it.
That is why in 2006 I decided to assemble my own E6 lab. Since then the results have been uniform, clean and colourful...leaving me to question why I didn't start this earlier. As much as it takes more time out of my busy schedule and requires more work (chemical mixing, loading, drying), I am happier having full control of my film from start to finish. I use one-shot Kodak E6 chemistry and use a Jobo ATL system that is drum based, meaning no scratches.
Now I'd like to share my system with others who love E6 the way I do. www.e6it.ca will be up very soon.
We process black and white, E6, and C-41 in house weekly. For more details call 905-632-7722.
We are at 489 Guelph Line, south of the QEW, north of New Street in Burlington, ON.
We process black and white, E6, and C-41 in house weekly. For more details call 905-632-7722.
We are at 489 Guelph Line, south of the QEW, north of New Street in Burlington, ON.
That's hardly Toronto though, but honestly, this is an old thread, and I gave up on colour film and retired the camera I was shooting it with. I still have my B&W camera though, but would like to replace it with a refurbished Konica T2.
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