- Joined
- Dec 21, 2002
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Donald
I recently requested a technician to design a dip and dunk processor that would process 30x40inch sheets of fibre paper as well as being suitable to process large sheets of FP4 from my Lambda Exposing Unit.
Basically a supersized Refrima or Jobo Technolab. Dip and Dunk.
I have 16ft ceilings so height restrictions are not a problem as well I have an aquarium manufacturer making me a 32x44inch vertical slot archival washer for these big prints and films.
This is not a pipe dream , the cost is approx $120K US and I am considering this for my workflow as we are extremely busy with the Lambda Ilford fibre prints and we are going to have Mark Nelson Sandy King do a workshop here for enlarged digi negs to platinum print and while they are here we will try to Beta test the FP4 film to enlarged negs off the Lambda.
We are about 1 1/2 years away from installing the beast hear*money* but the plans and design are already finished and two very competent technicans are onboard to install and gaurentee that the machine will do what I think it can.
What you may want to consider. if your print size is 16 inch or smaller at the smallest dimension, is to find a used E6 machine that does handle that size , adapt the hangers and then put in your chemistry of choice.
As a serious but low volume printer (I try to print 3-4 times a month - all afternoon on 3-4 images) I would consider this only for larger sizes, after the "recipe" was well established doing 8x10's one at a time. My feeling is, though, that it would probably not be worth it, for me. Also, I like to watch it come up in the tray, reaffirming all the work done up to that point.
Neat idea, though!
One of the deciding factors for an automated process is due to the large size of the paper coming off the Lambda , as well a critical factor is the new Ilford digital fibre base paper is red sensitive , which requires total darkness for development.
Bob Carnie said:One of the deciding factors for an automated process is due to the large size of the paper coming off the Lambda , as well a critical factor is the new Ilford digital fibre base paper is red sensitive , which requires total darkness for development.
This paper is primaraly targeted to young users with their digital cameras. The extra red sensitivity allows us to print in RGB without converting to greyscale. This benifits a better tonal separation of colours that are close to one another. Much like the benifits recieved from panalure and colour negatives over printing colour neg onto regular black and white paper.This digital fibre paper you're talking about, is it black/white or color?If BW, why red sensitive? For increased speed?
Hmm. Cannot help thinking what a fibre based panchromatic BW paper will do to us "traditional" photographers... A digitally captured, digitally postprocessed, "digitally" printed, fibre based print, with the possibility to tone/bleach/edit in a traditional fashion...
The question "why analogue" has lost yet another answer...
OTOH, if a product like this catches on it means more to do for Ilford and other manufacturers of traditional photographic material, and that could help keep prices down on film stock too.
And, the possibility fo someone like me to get traditional prints in HUGE sizes might have increased a good bit. How wide are the rolls?
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