Rudeofus - can the re-Blixing be done in the light? I would think so, but I figure I'd ask....
Yes, absolutely!
Rudeofus - can the re-Blixing be done in the light? I would think so, but I figure I'd ask....
A darker base color can't come from insufficient BLIXing alone, because in those regions there should have never been any silver that had to be bleached, yes? Obviously, if you have some developer fog to begin with, any retained silver will darken the base color even more. The very subdued colors look a lot like insufficient BLIX, but experiment beats theory every time, especially if an experiment requires little effort and has the potential to improve your negs.Attached is a pic of two strips of negatives from two different rolls. Both are Fuji Reala, and from the same batch number. The negative on the left was developed at my local lab (not a Walmart/Walgreens etc), and the one on the right was from my first run the other night. The base color of mine is much darker, and more muddied looking. It is the 'excessive' darkening to the orange base that I'm thinking (which always gets me in trouble) is causing the color shift. Any ideas what caused my base to be so much darker?
I only did one frame for another 6:30 of the Blix and then a 1:00 stabilizer. The base color now matches the lab developed negs, and while there still is a green cast (on the unadjusted scan), it's not nearly as bad as it was.
Would it be nuts to next time do the Blix for 15 minutes?
One thing I noticed: the lab processed neg strip doesn't appear to have any orange film base in your image. Do these negs really look like what I see here on my (non calibrated) laptop monitor?
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