davidkachel
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- Oct 20, 2008
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Some years back I swore off development of new techniques and also moved completely over to digital. This past month I bought a couple of view cameras, built a small darkroom and will be using film again, some of the time. (No, I haven't come back from the dark side. Will be using both.)
In about 2007, I tried to pass the baton here on APUG and on some other sites, like: http://photo.net/film-and-processing-forum/00REQ8
I also gave some suggestions for avenues of additional investigation. The most ripe and simplest of those suggestions was made at the address above. (Maybe here too. I don't recall.)
A couple of days ago I was reminded of that suggestion and, realizing I now had a working darkroom again, today I pursued that suggestion myself, and in just a couple of hours, had the answer.
There is a new SLIMT technique, as of today. It is called "Monobath SLIMT".
For those who do not know what a monobath is/was (originally), it is developer and fixer in the same solution. Monobaths were invented near the turn of the century. (Not this last one, the one before it.) Put simply, the developer is stronger than usual and acts on the film before the fixer can begin to work. Carefully formulated, this produces a well-developed negative and very consistent results. They were popular once, but fell out of favor.
Monobath SLIMT follows the same basic concept of mixing opposing actors, but instead of fixer, adds potassium ferricyanide to a normal film developer. At about ten or more times the concentration of a normal SLIMT, the potassium ferricyanide contrastwise bleach manages to reduce contrast of the latent image before the developer can begin to work. Theorized years ago, I never tested this until today. It works. Well!
Here is the test I did, your investigation will no doubt require different concentrations.
Film: HP-5 (4x5). Developer: HC-110 at half the concentration of dilution B (15.5 ml of syrup per liter of water, instead of 31 ml per liter), for 8 minutes, constant rotary agitation. Processing method: tube tray processing (my own variation, it can be found here: www.davidkachel.com/monographs.html "Tray Processing in Tubes"). 20ºC. Exposed a single negative. Cut it in half. Split the HC-110 into two trays, 1.5 L per tray, one tray with 50ml of 10% potassium ferricyanide added. Results: roughly N-2 contraction, perfectly even development, as you would expect from rotary processing.
Drawbacks: a much higher concentration than normal of potassium ferricyanide is required, and you cannot process different N-number negatives together in the same tray, for the same length of time, as you can with regular SLIMTs.
Advantages: one shot, one step development for any and all contractions, just change the amount of potassium ferricyanide.
This is the first new SLIMT in 25 years, guys. Don't expect another one any time soon! ;-)
ADDENDUM: SLIMTs for film usually require the addition of potassium bromide as a restrainer. That is not necessary in this case as most film developers already have a restrainer in them. Use just the potassium ferricyanide, unless the need for additional restrainer becomes obvious.
In about 2007, I tried to pass the baton here on APUG and on some other sites, like: http://photo.net/film-and-processing-forum/00REQ8
I also gave some suggestions for avenues of additional investigation. The most ripe and simplest of those suggestions was made at the address above. (Maybe here too. I don't recall.)
A couple of days ago I was reminded of that suggestion and, realizing I now had a working darkroom again, today I pursued that suggestion myself, and in just a couple of hours, had the answer.
There is a new SLIMT technique, as of today. It is called "Monobath SLIMT".
For those who do not know what a monobath is/was (originally), it is developer and fixer in the same solution. Monobaths were invented near the turn of the century. (Not this last one, the one before it.) Put simply, the developer is stronger than usual and acts on the film before the fixer can begin to work. Carefully formulated, this produces a well-developed negative and very consistent results. They were popular once, but fell out of favor.
Monobath SLIMT follows the same basic concept of mixing opposing actors, but instead of fixer, adds potassium ferricyanide to a normal film developer. At about ten or more times the concentration of a normal SLIMT, the potassium ferricyanide contrastwise bleach manages to reduce contrast of the latent image before the developer can begin to work. Theorized years ago, I never tested this until today. It works. Well!
Here is the test I did, your investigation will no doubt require different concentrations.
Film: HP-5 (4x5). Developer: HC-110 at half the concentration of dilution B (15.5 ml of syrup per liter of water, instead of 31 ml per liter), for 8 minutes, constant rotary agitation. Processing method: tube tray processing (my own variation, it can be found here: www.davidkachel.com/monographs.html "Tray Processing in Tubes"). 20ºC. Exposed a single negative. Cut it in half. Split the HC-110 into two trays, 1.5 L per tray, one tray with 50ml of 10% potassium ferricyanide added. Results: roughly N-2 contraction, perfectly even development, as you would expect from rotary processing.
Drawbacks: a much higher concentration than normal of potassium ferricyanide is required, and you cannot process different N-number negatives together in the same tray, for the same length of time, as you can with regular SLIMTs.
Advantages: one shot, one step development for any and all contractions, just change the amount of potassium ferricyanide.
This is the first new SLIMT in 25 years, guys. Don't expect another one any time soon! ;-)
ADDENDUM: SLIMTs for film usually require the addition of potassium bromide as a restrainer. That is not necessary in this case as most film developers already have a restrainer in them. Use just the potassium ferricyanide, unless the need for additional restrainer becomes obvious.
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