Andy has some work showing at Luminato in Toronto at the moment. The Globe and Mail did a quick interview with him and his showmates. It has some interesting thoughts:
I loved that interview. One quibble: no one seeing, for example, Edward Burtynsky's work in colour will say it lacks impact or power. Among many examples.
Really wish I could have attended this event - respect to the guy for his devotion and obvious talent.
Colour film used with purpose can be every bit as powerful, if not more so, than black and white and to identify colour with digital and film with B&W annoys me to no end.
Not wanting to detract from Mr. Summers' excellent work and long-time devotion, though....I absolutely love hearing about long-term projects like this.
Other than the above, the "WTF?" quote for me in the article is "...Leica has a custom Ralph Gibson signature model of its MP film camera – a camera that has the older, more tactile feel of manually changing the f-stops and shutter speeds and demands that photographers get relatively close to their subjects...." (emphasis mine) - unless they've glued a 35mm or shorter lens to it, I don't see how that statement makes any sense.