The best developer recipe is the one that is 'best' for your film, paper, and overall process, i.e. gives you results you like best.
From the beginning, developer recipe innovations have marched side-by-side with emulsion progress, so old emulsions may not give their best response with modern developers, nor modern emulsions give their best with antique developers. That said, old photographic recipes are an awful lot like heirloom vegetables and fruits. Once upon a time, there were hundreds and hundreds of apple varieties, and tomatoes, widely grown and readily available. Today, how many can you find in a typical chain grocery store? The heirlooms didn't disappear because they weren't tasty or nutritious. It's just that they didn't meet the requirements of industrial food production. It was much the same with developer recipes. Only a small number were suitable for being packaged in one or two yellow bags, then shipped to darkroom supply stores around the world. Fortunately, if you are willing to order a few oddball chemicals and mix your own brews, the possibilities really open up. Steve Anchell's darkroom cookbooks are a great resource.
One word of advice, though. Unless you really hate a particular developer from the first go, don't jump around too compulsively. Work with any given recipe for at least a half dozen darkroom sessions, trying slightly different parameters each time. Speaking from slightly embarrassing experience, that's the only way to truthfully evaluate your workflow.
Welcome to APUG. Hope to hear many tales of your experiences.
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