There seems to be a fair amount of concern over using a bayer array and it causing problems with scanning film. As a user of a bayer array based scanning system, it's much less of an issue than what people probably think it is. A modern APS-C based camera has been at the 24MP mark for quite some time. At 240 pixels per inch print resolution, it will make a very nice looking 16x24 inch print of 35mm or 16x20 print of a 6x7 120 frame. Modern Bayer interpolation algorithms are very, very good. While 16x20 is not a large print by large print standards, it most definitely is not a small print, and based on the number of requests I get to make prints, is absolutely on the large end of what is generally printed. 5x7 followed very closely by 8x10 and 11x14 by a distant third is what I get most requested to print. Every once in a while I'll get a request to do something larger, but I easily print hundreds of the other sizes for every 11x14, and dozens of 11x14s for every larger request.
Don't get me wrong, I'm generally all for more resolution, but there seems to be a bit of a disconnect between how much resolution people want to scan at and how much resolution you actually need for common stuff. If you're worried about the bayer array causing weird aliasing artifacts with the film grain, you maybe might have to worry about that if the particular camera you're using doesn't have a low pass filter (like some Nikon models), but for pretty much everything else, there's a low pass filter that does a very good job mitigating problems without completely destroying fine detail. The camera manufacturers are not dummies when it comes to this sort of thing. Combine that with the somewhat random nature of the grains/dye clouds and the modern AHD Bayer interpolation and the whole "artifacts from the bayer array" thing hasn't really been much of an issue in my experience. Of course I get the occasional comment from a customer about how big the grain of some emulsion is when somebody takes one of my DNGs and looks at it at 1:1 or 2:1 in the LR develop module. I inevitably have to gently remind them that when they do that, they are effectively blowing it up to a giant print (by giant print standards) and looking at that with a magnifying glass, and that maybe a more realistic way to look at it is to put it full screen on their big 60-70 inch 4K TV and see what that looks like instead. Almost always, once they do that they comment that it looks a lot better that way and is pretty sharp. And that's with a 35mm frame size. A 4K TV is ~8MP and looks really good, even at the large end of the TV scale.
The point is, more resolution is generally better, but in reality, for most display purposes, you actually need a lot less than you think you do, and 24MP covers a really large swath of that. If you want to scan 120 and 4x5 with a 50MP Canon 5Ds, you can and it will look better than a 24MP scan at really large print sizes, but again, now we're getting into truly ginormous prints. Just some food for thought.