Oh good start then....
Yes so I did exacly that. Added small quantities of ammonia, it precipitated out, then redissolved and stopped. This precipitate has formed in the week since.
Well thank you for your warnings! Will be taken on board. I have attached a photo of the precipitate. Didn't quite realise how dense the precipitate was until I took a flash to it. I have a feeling the bigger particles might be from the foam brush. But not sure.... Ideas? couldn't find a good picture of images to indicate if indeed ive made fulminating silver.
The paper is the one again from the kit. Canaletto 160gsm.
Thanks again for all your help!
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NedL... can you please expand on what you meant by 'very problematic if there is any gelatine sizing on the paper' please? The Canaletto paper I used I believe is 100% cotton rag. But I have just salted more paper... Adox baryta something to try, which has a gelatine coating... which worked excellently in getting an even coating
Yes, apologies for not being clear... the problem with gelatin is not a safety problem. In my experience, using ammonio-nitrate of silver as the sensitizer does not produce good results if there is gelatin sizing on the paper or if the salting solution was mixed with gelatin. Some of my friends who have tried this old fashioned way of making salt prints had the same experience. I don't know why it happens, but the ammonia-silver nitrate solution discolors the gelatin ( pinkish color, not nice looking ) and there are uneven areas. I think the ammonio-nitrate reacts with the gelatin somehow when it is being brushed on. If there was gelatin on the paper when you saw that mottling/disintegration problem, that might be the reason.
Some people "fume" their salted paper with ammonia just before printing it. The salted and sensitized paper is placed in the top of a closed box, printing side facing down, with some ammonia on the floor of the box so that the fumes reach the print. The paper is taken out of the box and exposed right away to make the print. It speeds up the printing a little and produces a deeper print-out... basically making the paper more sensitive. I've never heard anyone mention avoiding gelatin for this.
I think you will have better luck if you keep the silver nitrate sensitizer simple. Just silver nitrate and perhaps a little citric acid depending on whether your paper is staying white in the highlights or starting to fog.
Have fun, I hope you enjoy making the prints.
Niranjan, that makes sense and fits with what I experienced. Pig skin gelatin has an alkaline ( pH 8 or 9 I think ) isoelectric point, so maybe that would have worked better....The problem with gelatin vs ammoinacal silver nitrate might have something to do with the isoelectric point of gelatin...
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