Francesco said:Thanks for that Tom. Can you explain what your procedures are going to achieve and what you are hoping to find or not as a result? Are you simply testing for whether or not the developer is still as active as when first mixed? Will you be trying this out on some "scenic" negatives as well? Many thanks for sharing your research with all of us.
Donald Miller said:Tom,
Thanks for the update. The question that I have is why use film to check amidol activity?, or is this simply because the film is much more susceptible to determination of Amidol activity?, or... are you wanting to arrive at a new film developer based on Amidol? Thanks again for your continued service...
gainer said:Interesting. Did you notice tanning as well as staining? I think amidol is listed among the moderately tanning agents. I'm don't know what other ingredients you added, but would assume sulfite to be among them.
Color is sometimes dependent on grain thorugh diffraction as well as staining. Could that be a factor?
gainer said:No, you just looked outside the box. There are all kinds of marvelous things out there.
It ocurred to me, and probably to you, that it would be a convenience to be able to keep amidol in a glycol solution and the rest in water, mixing just enough at a time to do a sheet of film or paper in a tube.
The amount of sulfite may give some control over the color. You may not need the citric acid. Anyway, you have enough variables to keep you busy for a while.
juan said:Here's an article on Amidol as a film developer.
http://simmonsphotos.com/Articles/AmidolFilm.html
juan
Jorge Oliveira said:Anyone for amidol + phenidone?
Jorge O
gainer said:In philosophy there is the principle of Occam's (sp?) razor that says the simplest theory that works is the best. Shave it down and let it grow if necessary.
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