This has nothing to do with my point and the questions raised by other about AI violating copyright laws. (snip)
Well, not all is about competition. I, for example, do it, because I love the challenge, the process, the joy I get when I make mistakes to learn from, the joy from making a great picture or nailed that film for example.If entrants can start to use AI to produce all kinds of terrific pictures, why would anyone be interested in taking pictures with a camera
It's not that you're competing with others. You're competing with yourself. Why bother shooting with a camera in the cold when you can sit comfortably in an armchair and create better photos? Or even if you still want to capture the original images such as from a trip you took, why bother buying and using expensive cameras when AI will take a so-so photo shot on your cellphone and turn it into a shot that surpasses a D850 and two hours of editing with Photoshop? I don't know if I;d want to buy stock in Nikon right now.
Because I'll learn nothing doing so, gain nothing as a person - except weight.It's not that you're competing with others. You're competing with yourself. Why bother shooting with a camera in the cold when you can sit comfortably in an armchair and create better photos?
It's not about the destination, but the journey. People who like the journey of creating the image the old fashioned way shouldn't be intimidated because there is easier pathway. (Easier pathway suits one, that's fine too.) No one needs to climb the mountain, one can just go around or fly over. But they still do. Same reason people lug around their 4x5's still when so many easier options are available.
:Niranjan.
But it is about the destination: the final image. The end product of all visual art is the final image. There may be several, or many, paths available to journey to get to the destination.
Yes the final image is important. But if the process was not enjoyable, no one would be doing it. They would be buying the poster, hang it and be done with it. Why are we bothering to do all this photo-chemical mumbo-jumbo if all we want is the final image.
:Niranjan.
Agree. I should have said: it's not just about the destination, but....Why? Habit, perhaps… comfortable and chosen journey path… but the path isn’t necessarily the final destination.
No disagreement. I’ve just seen that saying misused too often where some conflate the journey and destination as if the chosen journey path is the destination.
….Many hobby photographers are going to say, "Why bother?" and dump their cameras.
Here's something relevant to the topic of copyrights etc...
Getty Images is suing the creators of AI art tool Stable Diffusion for scraping its content
Getty Images claims Stability AI ‘unlawfully’ scraped millions of images from its site. It’s a significant escalation in the developing legal battles between generative AI firms and content creators.www.theverge.com
Oh but it does directly have to do with your point when the entity simply takes the photos and attempts to charge for them as their intellectual property. What gives the new AI generated images any more protection than duly copyrighted material simply taken?
Believe as you wish, but you're not going to convince me that this will work out to anyone's advantage other than the huge conglomerates.
Here's something relevant to the topic of copyrights etc...
Getty Images is suing the creators of AI art tool Stable Diffusion for scraping its content
Getty Images claims Stability AI ‘unlawfully’ scraped millions of images from its site. It’s a significant escalation in the developing legal battles between generative AI firms and content creators.www.theverge.com
It seems that your point (and Kino’s too, perhaps) is more about usage rights and compensation for usage of copyrighted works. Assuming that AI-generated images are considered “compilation” (not likely) and/or some other kind of “derivative works”, the current copyright law may have the limits of who-owns-what already under control. They just need to add “AI-generated imagery” to their list of examples.
Compensation for use of copyrighted works by folks who don’t want to pay for usage is not a new issue. Or do you see it another way?
It's not about the destination, but the journey. People who like the journey of creating the image the old fashioned way shouldn't be intimidated because there is easier pathway. (Easier pathway suits one, that's fine too.) No one needs to climb the mountain, one can just go around or fly over. But they still do. Same reason people lug around their 4x5's still when so many easier options are available.
:Niranjan.
Photographers will have to pick stock agencies that don't cheat them. Isn't that true about anything we buy or deals we make? You have to do due diligence.
I'm not a copyright expert. But I would think that taking images from the web to produce an AI image is a violation or should be. The courts will have to decide and Getty is suing in UK to get that process moving.
A Photographer Tried to Get His Photos Removed from an AI Dataset. He Got an Invoice Instead.
A German stock photographer tried to get his photos removed from the AI-training LAION dataset. Lawyers replied that he owes $979 for making an unjustified copyright claim.www.vice.com
A sad step in the wrong direction.
It seems that your point (and Kino’s too, perhaps) is more about usage rights and compensation for usage of copyrighted works. Assuming that AI-generated images are considered “compilation” (not likely) and/or some other kind of “derivative works”, the current copyright law may have the limits of who-owns-what already under control. They just need to add “AI-generated imagery” to their list of examples.
Compensation for use of copyrighted works by folks who don’t want to pay for usage is not a new issue. Or do you see it another way?
I think the recent US Supreme Court ruling may have some impact on AI usage rights. It seems that for commercial usage, AI users should have to pay into some sort of fund that would be distributed among the owners of the original image copyrights. Determining where the original bits came from could be challenging, but I am sure an AI program could handle that. The use of AI for non-commercial purposes and fine art, though would probably be considered OK. Too bad.
First, legislation has to define what AI Imaging is.
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