Jim Chinn said:With the poor management at Kodak over the last 20 years I suspect that building the new coating plant was as much about the inertia of a bungling buearacracy as anything else. My wife works for a major airline that spent almost $500 million dollars in the 80s building new hubs, terminals, licensing routes and gates, only to sell or shutter 80% of those facilites in the 90s all because management was to myopic to see what coming down the road.
Photo Engineer said:With this statement, it implies that you knew what was coming down the road. If so, why aren't you rich?"
I don't get paid tens of millions of dollars to be the CEO of Kodak or an airline.
CEOs and management teams are paid to see things coming down the road. No I did not get rich from the shift of market share to digital, but at the same time I was smart enough not to invest a dime in Kodak stock.
Jim Chinn said:Kodak may stay in the game if they can contract production for other products at their remaining coating plant(s?). My personal belief with Kodak is that they will continue in some capacity but eliminate many products or license production to another mfg like Ilford has done with its chemistry.
No its not. Its an industry with incredible returns to scale--- the marginal costs to produce film converges to a few pennies. Because of this the more one can sell, the more one can make, the better profit margins and returns one can see. Throw in the fixed overhead costs of a modern coating plant and it becomes clear that the economies of film production are such that one needs to exploit demand elasticities towards an optimum which should always err on the side of lower prices and higher demand. Unless a film and paper cartel can via price fixing agree to press prices upwards this means that the "big players" will have motivation to stimulate demand by whatever means and most typically this has meant reducing prices. This is just what we have seen: falling demand and falling prices. At my local drugstore they are now selling repackaged Agfa film (probably Vista 100) for 65 EUROcents per 36exp film. Development and printing too has become very cheap over the last few years. We should probably continue to see prices decline and competition should get harder as the remaining companies fight it out for the top 2 dominant slots.c6h6o3 said:but film production is a capital intensive industry
c6h6o3 said:but film production is a capital intensive industry
edz said:No its not. Its an industry with incredible returns to scale--- the marginal costs to produce film converges to a few pennies....The entry point is relatively low and a cottege industry of niche suppliers of B&W materials is quite possible.
moose10101 said:I think your definition of "capital intensive" must be different from mine. Further, if the "entry point is relatively low", why the emphasis on returns to scale? Cottage industries, by definition, don't achieve large volumes, which are necessary only if the initial investment is large.
edz said:No its not. Its an industry with incredible returns to scale--- the marginal costs to produce film converges to a few pennies. Because of this the more one can sell, the more one can make, the better profit margins and returns one can see........The entry point is relatively low and a cottege industry of niche suppliers of B&W materials is quite possible.
Photo Engineer said:Edz, considering the comments I read here and elsewhere about manufacturers such as the Eastern European film companies and others regarding film defects, I wonder if they are really up to speed in the film making arena.
I hear of bubbles, softness, extreme curl and other problems that I never hear about regarding Kodak, Agfa, Fuji or Ilford. People don't get exactly the right grain or sharpness or tone scale from one or another product from the major players, but they never seem to have film defects.
I guess you are willing to take these problems if you can get your film from a mom and pop shop then? Or would you rather know you were going to get the picture every time with a good Ilford or Kodak film for example.
It is hard to make good consistant defect free film. It is also expensive. Quantity keeps down costs and drives up quality.
PE
alien said:I started to use Foma 100 film about 2 months ago, and I think it is great.
As far as experienced it curls a little bit more than, say, Pan F, but other than that it gives me superb results.
I think the Eastern European manufacturers will surely get the quality of their products under control!
Also - black and white has always been a niche market with ups and downs.
I firmly believe that it will never die - there are too many people enjoying it. The market might change, but it will not die.
edz said:I think the "average person" can be made to care. Its called information. Its called issue perception. Its called marketing. Instead the consumers have been sold digital as a replacement for film pared with the lie that its cheaper lacking film. Following an initial optimism for demand of digital prints the market has noticed a weaking of growth and a decline in revenues.
Probably since their 3 year old camera probably does not work.
If so what a camera (like the HPs I mentioned) at the supermarket for 70 EUROs?
Do I think the average person will need to "discover" what it means? YES.
It does. Its part of the silicon economy.
Most of the cellphones sold today in Europe include digital cameras. They have caught on big time and its really only the mega-pixel lead-up of the low-end consumer cameras (like 5 Megapixel for under 100 EURO verses the 1 or 2 Megapixel in the phones) that continues to allow for product differentiation. Current market analysis seems to suggest that as processor and memory technology develops to allow for mass 3 mp camera cell phones--- maybe a year away--- that this might change. What has not caught on is 3G services but there is a long case history that should have made this clear--- back to the failed AT&T picture phone of the 1960s. Its really quite consistent that even WAP did not catch on yet SMS did.
Almost all new phones include cameras don't they?
And that's the model application of the camera in the cell-phone. No need to even hook anything up. If that's the main application of digital cameras then we'd see a lot of images being send by these phones yet we don't. The main use seems to be the same as with the mass cunsumer digital cameras: a little gadget to take a picture, store it and look at it later (maybe with friends) and then throw away.
Don't confuse apples with oranges. A 1990 computer and a 2000 computer and a 2005 computer are completely different objects. Its like talking about the hot dog you ate in 1965. Its long ago passed through the food chain into many generations of hot dogs.
Jim Chinn said:It does not surprise me that Agfa is going under. I understand from a reliable source ...
mono said:Production goes on for the next 3 months, so the news is here in Germany!
rusty71 said:Mario, no need to dispair. Calbe makes RO9, which is Rodinal.
rusty71 said:Efke 100 is very close to Agfapan 100.
gareth harper said:That sounds good, is it correct, does it apply to all production.
Anyway as I've said the real pain is for the employees, not for us, it's a real shame.
I do like APX100, and I use Rodinal, so it would be nice if these were continued. But if not, life goes on, I'll try other things, and as been said there's plenty of options on Rodinal type developers.
Rusty, when you say Efke 100 is very close to APX100, how close. Not looking for a replacement, but either way it might be worth me giving some Efke a whirl. Is it fine grained and workable in 35mm?
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