Affordable b&w paper?

[Jimi3]

I’m thinking of getting back into making darkroom prints after about 20 years away. I started shooting film (4x5 and 120) again a few years ago, but have been scanning my negs and processing digitally. The flexibility to adjust digitally is great, but I don’t always love the overall results and want to see what printing in the darkroom can do. I still have my old enlarger.

I used to use Ilford papers, but I’m seeing those at what seem to my older self to be very high prices. I used to gravitate toward fiber paper rather than RC, and usually used variable contrast. Any thoughts on good papers to try that might be more affordable? A lot of this stuff is landscape based subject matter, though not exactly “straight” landscapes.

 

[koraks]

RC paper is cheaper than FB, so that's the first way of cutting cost.
Foma is generally affordable, you may also be able to get a reasonable deal on Arista which I think is the same stuff anyway.
Then there's Inkpress Multitone, which AFAIK is only available in the US: https://www.adorama.com/l/Photograp...nlarging-Paper/Inkpress~Black-and-White-Paper It's supposed to be fine as well, but I've never used it.

If you want FB and are sensitive to cost, Fomabrom is your best bet.

Choice of paper is limited nowadays anyway. Most people end up printing on Ilford and Foma.

 

[ntenny]

Fomabrom Variant currently seems to be a little cheaper than Ilford in the US, but only a little. Those may be about the last two companies standing for neutral-tone FB paper.

-NT

 

[pentaxuser]

I used to use Ilford papers, but I’m seeing those at what seem to my older self to be very high prices.

Yes unfortunately they'd still seem to be very high prices no matter what your age because they are very high prices

I always think a bit of black humour is better than a cyanide pill. koraks about sums up your options as I see it

pentaxuser

 

[John Wiegerink]

RC paper is cheaper than FB, so that's the first way of cutting cost.
Foma is generally affordable, you may also be able to get a reasonable deal on Arista which I think is the same stuff anyway.
Then there's Inkpress Multitone, which AFAIK is only available in the US: https://www.adorama.com/l/Photograp...nlarging-Paper/Inkpress~Black-and-White-Paper It's supposed to be fine as well, but I've never used it.

If you want FB and are sensitive to cost, Fomabrom is your best bet.

Choice of paper is limited nowadays anyway. Most people end up printing on Ilford and Foma.

Koraks,
Thanks for posting that link to Adorama's Multitone papers. I checked into these a long time back, but wasn't interested since they didn't have papers in larger sizes. Now I see you can get 16X20 and 20X24 inch sizes, which makes it tempting to try. I'm currently using Foma papers and have no complaints, but it might be worth a shot just to see what Multitone papers are like since the price is fairly reasonable. I'm going to do a search later this evening to see how users of Multitone like the paper and if there are any drawbacks to it.

 

[koraks]

I was also surprised to see the larger papers; 20x24" was actually the first hit when I searched for these papers. I remembered 8x10" only. Please post back in case you end up trying this paper!

 

[John Wiegerink]

I was also surprised to see the larger papers; 20x24" was actually the first hit when I searched for these papers. I remembered 8x10" only. Please post back in case you end up trying this paper!

I got a few projects to finish before I do, if I do. It'll be at least three weeks anyway. 8X10 was all I remember too. I'm surprised somebody here hasn't chimed in and gave their thumbs up or thumbs down on the Inkpress Multi-tone papers. I just did a quick Google check on the paper and find almost zero, but will do more searching tonight. My curiosity is how does it handle selenium toning and its surface texture.

 

[Paul Howell]

I use RC for work prints, I buy Mulitone from B&H in 5X7 and 8X10, usually glossy. For presentation prints I use Foma FB grade 2 and 3 glossy which I dry semi gloss. I've Mulitione for many years, in the past 11X14, it seems to tone well, VC grades seems to match ILford and Foma. I have not used the larger 16X20 or 20X24, but for a test purpose just set your enlarger for a large print and use a 8X10 as a test sheet.

 

[John Wiegerink]

I use RC for work prints, I buy Mulitone from B&H in 5X7 and 8X10, usually glossy. For presentation prints I use Foma FB grade 2 and 3 glossy which I dry semi gloss. I've Mulitione for many years, in the past 11X14, it seems to tone well, VC grades seems to match ILford and Foma. I have not used the larger 16X20 or 20X24, but for a test purpose just set your enlarger for a large print and use a 8X10 as a test sheet.

Thanks Paul, that's what I was interested in finding out.

 

[GregY]

I've used quite a bit of Multitone FB for test prints, but to my eye it doesn't hold up to Ilford or Foma for exhibition grade prints.

 

[John Wiegerink]

I've used quite a bit of Multitone FB for test prints, but to my eye it doesn't hold up to Ilford or Foma for exhibition grade prints.

Well, I'm not printing for exhibition 99% of the time so this paper might be worth a try. I'm using Foma Variant papers, but have yet to try Fomatone paper. I have a feeling Fomatone paper is where I will end up. I lean on the warmer side and that paper seems to be right up my alley and the cost, while not cheap, is tolerable.