Buying a whole used set up is probably the quickest, and often most economical way to et in the game.I've never owned a view camera before and am interested in buying one. I could also use recommendations on a "first view camera" setup. Ken Rockwell seems to think that Tachihara is the best deal but I figure I ought to get some additional opinions and I can't really find a good comprehensive survey of what's available just randomly searching the net.
I'm thinking it would be easiest to just buy a whole used setup from someone who's getting out of LF photography or something as that might be the best deal, but I'm not sure.
I'm pretty sure I want a field camera. I know I don't want a press camera, and I expect to do mostly location shooting so I doubt I want to carry around a monorail.
If you were "sympatico" with your tachi, why look elsewhere? OTOH if there were things you'd prefer to change on the tachi, see if other brands offer an improvement.Hello,
I used to own a Tachihara 4x5 folding field camera and a Nikkor 210.
I'd like to get back into using a 4x5 and was curious what people were using or would recommend. I'd like something affordable and wouldn't mind buying new, within reason.
I'm considering a chamonix 4x5 and have been looking at KEH for lenses. Does anyone have any other recommendations on a setup/systems? I'd like to be as portable as possible so I'm guessing a field camera would be best.
Thanks,
Mike
I've never owned a view camera before and am interested in buying one. I could also use recommendations on a "first view camera" setup. Ken Rockwell seems to think that Tachihara is the best deal but I figure I ought to get some additional opinions and I can't really find a good comprehensive survey of what's available just randomly searching the net.
I'm thinking it would be easiest to just buy a whole used setup from someone who's getting out of LF photography or something as that might be the best deal, but I'm not sure.
I'm pretty sure I want a field camera. I know I don't want a press camera, and I expect to do mostly location shooting so I doubt I want to carry around a monorail.
Put your money into the lenses. That's the only part of the system that the light sees. It can't read the name on the camera body.
- Leigh
Several manufacturers would like you to think so.Maybe the quality of light is affected by the name on the body and the lens too
Several manufacturers would like you to think so.
- Leigh
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