OP, just my curiosity but what was the objective in turning a b&w negative into a blue positive?There is the image that has a blue positive and there is a big cliff on the left.
Second picture is Foma Creative 200
No reason. I scan with a digital camera. I wanted to make the defects clear and obvious by sending both the negative and the reversed image. I cranked up the contrast and just didn't bother to convert to black and white so the natural tint of the film is still there and it's amplified by the exaggerated contrast.OP, just my curiosity but what was the objective in turning a b&w negative into a blue positive?
pentaxuser
That's interesting. If I keep getting these bubbles I will try this. Meanwhile I will just try agitating during pre-rinse and also tap on the counter systematically (I think I have been sloppy on that part).There is a method of development where, in the dark, one drops the film reel into the tank already filled with developer. There are a number of advantages to this, and it is the method Kodak recommends. It can reduce uneven development due to uneven wetting of the film, such as with pouring marks, because all the film becomes wet at the same time. It is said to also reduce the risk of air bells because the film is landing in a still, non-aerated, developer rather than the developer being poured over the film, which creates more bubbles and frothing. You do need a dark space to do this.
That's very good to know. Do you know of other films that often have these defects? I would try to stay away from them.I suspected this. These are typical defects for this film in 120 roll film format. They're not your fault; it's manufacturing related.
Air bells sound like a decent explanation for the other defects.
Agitation should be fairly vigorous, and tap the tank on the table/counter after an agitation cycle.
Do you know of other films that often have these defects?
No reason. I scan with a digital camera. I wanted to make the defects clear and obvious by sending both the negative and the reversed image. I cranked up the contrast and just didn't bother to convert to black and white so the natural tint of the film is still there and it's amplified by the exaggerated contrast.
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