I think that a 35mm camera is the place to start since you can get the film developed anywhere and the cost is quite low, generaly speaking. For the camera I would suggest a well known name (Minolta, Canon, Nikon, Pentax, etc) so that you can find lenses easily and at a reasonable cost. If your husband is interested in landscape images I would suggest getting a wide angle (say 28mm) lens and a 'standard' 50mm lens, or a zoom lens that covers that range. A 28-80 zoom should be easy to find and be a good starting point and then he can go from there once he gets a better idea of what he wants in a lens.
Modern cameras have light meters built in while older cameras require a hand held light meter or a good understanding of judging light conditions (not something a beginner typicaly has). A tripod *might* be a good addition, but is not absolutely required. You may consider getting a set of inexpensive filters in yellow, orange, red, and perhaps green.
As for film, I have to say that C-41, or chromogenic, film is a good place to start because you can get it developed anywhere. I would also get a roll or two of 'regular' black and white film so that he can try developing at home. The process is simple and there are any number of books (including those you have chosen already) that explain the process as well as very good directions on the Ilford website (
http://www.ilfordphoto.com/applications/page.asp?n=16).
To develop film at home you need very little really. A two reel tank, two reels, a changing bag (large or extra large), and the chemicals (developer, fixer, and perhaps some wetting agent at a minimum). A darkroom is nice, but not required unless you want to print, and even then a spare bathroom will do.
The advantage of having someone else do the film developing is that you can also have them provide proof prints of the negatives. If you develop at home, you can have someone else print the ones you like or you could scan them.
The thing to remember when starting out is not to get bogged down in the super-fine details. Get the basics down and then begin to work on improving things one at a time and at your (his) own pace. It is very easy to wrapped up in all the technical tweaks and never get a firm understanding of the basics, which can easily lead to frustration. In my experience, understanding comes quickly if you move at your own pace rather than attempt to rocket directly into super-fine control in a futile attempt to 'keep up with the (photographic) Joneses' as it were.
- Randy