Hello all!
I teach a darkroom Color Photography class every other year, using Jobo units for C-41 processing and a vintage Kreonite Promote II print processor to make prints. We always struggle with keeping the chemistry fresh and getting bright whites (prints are generally pinkish - even when the chemistry is fresh). Do you have any suggestions about operating or chemistry that might give us better results?
I've been using Fuji chemistry and Fuji paper.
Also looking for help here or a technician in Texas who can repair Beseler Dichro 45s enlarger heads (I have 2 that blow bulbs).
Thanks in advance!
I teach a darkroom Color Photography class every other year, using Jobo units for C-41 processing and a vintage Kreonite Promote II print processor to make prints. We always struggle with keeping the chemistry fresh and getting bright whites (prints are generally pinkish - even when the chemistry is fresh). Do you have any suggestions about operating or chemistry that might give us better results?
I've been using Fuji chemistry and Fuji paper.
Also looking for help here or a technician in Texas who can repair Beseler Dichro 45s enlarger heads (I have 2 that blow bulbs).
Thanks in advance!
