I'm wondering whether anyone else has experienced this issue with Silvermax.
When I first got into film photography a couple of years ago, I got a ten pack of Adox Silvermax 100.
I think the film is almost awesome, deep and detailed blacks, silky mid tones and highlights that hold. I have developed it in the silvermax developer and D-76 1+1 both yield great results. The grain is in my opinion, lovely, fine, and smooth. When enlarging prints I could barely make out the grain in the focuser. Despite its low price tag it can I think compete with the 'professional' offerings from Fuji and Kodak.
But after the ten I switched over to Acros, because there was one thing that bugged me about the film. Towards the end of each roll the quality of the negatives would start to rapidly deteriorate. The last four or five frames would have spots, or what appeared to be holes in the emulsion sprayed over the frame, by the last frame the negative was basically unusable.
I clean the negatives before I scan, so it isn't dust, and there is nothing obvious that I can see on the negative itself, it appears to me to be a problem with the emulsion. I attach a crop of a recent photo I took to illustrate the problem.
I thought it was maybe just a bad batch, but then I recently bought another roll to see how it would perform in D-76 and to give it another try, same problem.
Has anyone else experienced this? Is this something wrong with the film, or am I doing something wrong in the processing (although I havn't really experience this with other films). The only time I have seen anything similar is when I got colour film developed at Crappy Snaps, it came back with crud all over the negative, but that was so bad I could actually see the crud on my negatives with the naked eye. I suspected they don't clean their machines often.
One theory I had is that Silvermax appears to be on quite a thin base, it seems much more delicate than some other films I use. I wonder whether the problem only appears at the end of the roll because at that point it is so tightly wound that the emulsion becomes stretched and damaged.
I would be interest to hear anyone else's thoughts. If this is an issue with the film it is a shame, as in my opinion it could be a world beater if they got this sorted.
I also love Acros in Rodinal, I love the look of it, and the results I got, but the main reason I go for it over Silvermax is the consistency, I know I can rely on the film to produce consistent results, even if Fuji are annoyingly inconsistent with their production and pricing!
When I first got into film photography a couple of years ago, I got a ten pack of Adox Silvermax 100.
I think the film is almost awesome, deep and detailed blacks, silky mid tones and highlights that hold. I have developed it in the silvermax developer and D-76 1+1 both yield great results. The grain is in my opinion, lovely, fine, and smooth. When enlarging prints I could barely make out the grain in the focuser. Despite its low price tag it can I think compete with the 'professional' offerings from Fuji and Kodak.
But after the ten I switched over to Acros, because there was one thing that bugged me about the film. Towards the end of each roll the quality of the negatives would start to rapidly deteriorate. The last four or five frames would have spots, or what appeared to be holes in the emulsion sprayed over the frame, by the last frame the negative was basically unusable.
I clean the negatives before I scan, so it isn't dust, and there is nothing obvious that I can see on the negative itself, it appears to me to be a problem with the emulsion. I attach a crop of a recent photo I took to illustrate the problem.
I thought it was maybe just a bad batch, but then I recently bought another roll to see how it would perform in D-76 and to give it another try, same problem.
Has anyone else experienced this? Is this something wrong with the film, or am I doing something wrong in the processing (although I havn't really experience this with other films). The only time I have seen anything similar is when I got colour film developed at Crappy Snaps, it came back with crud all over the negative, but that was so bad I could actually see the crud on my negatives with the naked eye. I suspected they don't clean their machines often.
One theory I had is that Silvermax appears to be on quite a thin base, it seems much more delicate than some other films I use. I wonder whether the problem only appears at the end of the roll because at that point it is so tightly wound that the emulsion becomes stretched and damaged.
I would be interest to hear anyone else's thoughts. If this is an issue with the film it is a shame, as in my opinion it could be a world beater if they got this sorted.
I also love Acros in Rodinal, I love the look of it, and the results I got, but the main reason I go for it over Silvermax is the consistency, I know I can rely on the film to produce consistent results, even if Fuji are annoyingly inconsistent with their production and pricing!
