Adox HR-50 bulk arrived......which developer?

Sergey Ko

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Ok, so aren't Hr-50 and Scala 50 worthwile to buy and use?

I don't know Scala 50 & HR-50 to be the same thing. But I said, that I found much better CMS20 or Spur. For low grain I mean. I don't like in HR-50 that it have narrow correct range (example bracketing) & specific color sensitivity.For IR shots it is good (example RED +0, IR +2) -in file name filtr + expocorrection.
 

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relistan

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The reason I'm interested is that it looks like a pretty decent film for things like landscapes and urban/city buildings and such. Plus, it has the ability to give pretty decent infrared rendering. Kind of like two films in one.

I also like this film. I have a few more rolls already in the freezer.
 
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John Wiegerink

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I also like this film. I have a few more rolls already in the freezer.
Yup, not the speediest, but one can't have everything I guess. I'll be developing my three short rolls tonight in three different lower contrast developers and will post what I find.
 
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John Wiegerink

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I finally had a chance to do a little developer testing with HR-50 and found a couple that show some promise. The first developer I tried was my trusty favorite Pyrocat-HDC diluted. The negatives showed promise, but I'm going to have to play a little more with this combo. The next was Rodinal 1+100 full stand. The negatives weren't bad, but not what I was after. I then tried Rodinal 1+25 for 10 min. @ 68f semi-stand. Now we're getting somewhere. Since most of my chemicals are at my other residence, I wasn't able to try Karl's two bath, so I decided to go with BTTB 5+5. I must say it almost feels like cheating using this simple 2-bath, but if it works, who cares. Yes, it worked rather well I think, but I still have to fine-tune it a little.
First, I have to say that my antique Microtek M1 flatbed scanner isn't the greatest and that this isn't a hi-tech test. I metered the scene with a spot on the front windows of the old school house, and it was used for all shots. The camera was an old Agfa Super Memar with an excellent 50mm f2 six element coated lens. All scanner setting were set the same for all frames, with black point and white point settings set according to the histogram. No sharpening or any post-processing done.
Here are some of the results that I thought were worth further pursuing:

The Rodinal shots were just a couple of quick snaps. On close inspection of 100% crops I actually think Thornton's 2-bath looks slightly sharper than the Rodinal ones do. I'm going to try a base setting of EI32 with BTTB and go 4 min in bath A and 4.5 min in B bath. I think I'll rate the shots to be developed in Rodinal at EI32 also, but cut the developement time back to about 8 min. I also noticed what looked like very slight bromide drag on the semi stand Rodinal ones. It showed on the top of the window frames on the front windows. If Karl's 2B-1 gives me a slight speed increase it would be welcome since BTTB didn't seem to be very good in the speed department. It wasn't bad, but not the greatest. I actually think Rodinal had better shadow detail and any given speed compared to BTTB. Just my finding and I have to play a little more with this film, but so far I like it and the fact it has near IR ability as well.
 

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John Wiegerink

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Hey, we all make mistakes! Well, everyone except my wife that is?
 

relistan

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Good test John. Looks you’re indeed getting low speed out of BTTB which is normal in my experience. The tonal scale is better in the Rodinal images but some are over exposed. This is surprising because you normally take a bit of a speed loss with a Rodinal, too. The “225” images with low agitation look the best here IMO. I’d give it a 1/4-1/2 stop less exposure for this scene. Hard to say if the lack of sharpness is just the scan? Anyway looks like you’re headed in the right direction.
 
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John Wiegerink

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Hi Karl,
Yes, the low agitation Rodinal looks very promising, but to be truthful BTTB isn't bad either. Trust me, the lack of detail is due to the scanner and not the film, developer, or camera. Also, I set my Pentax spot meter to read a zone 3.5 on the front window, since I just wanted to make out the individual glass panes. In the negative, I can easily see the panes even in the EI 100 shot, but this blasted scanner can't pull details out of the shadows very well. If I had my Nikon CoolScan LS-8000 up and running, things would be different. I have the parts for it coming after the New Year and will do more testing then. I'll be trying your 2-bath 2B-1 and 2-bath PC-512 then also. As for the Rodinal shots, I plan on dropping a notch on the development time and see what happens. I have my Omega D5 enlarger setup here at home and just might try to run out a few 5X7's to see how these wet print, but that won't happen until after this weekend. I did take one of the BTTB scans and add a touch of sharpening in post process, and it was a world of difference. I just didn't want to add anything extra to the test scans, so I left the sharpening out. So far, I'm beginning to like this film.
 
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John Wiegerink

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That's what I'm finding about BTTB, but like I said, this old scanner isn't helping matters either. That said, I would have thought the Rodinal shots would have really dropped shadow detail, but from looking at the front window pane it looks like Rodinal 1+25 is the winner in this speed race. I'm going to get real serious about testing film/developer combinations after New Years.
 
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John Wiegerink

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I fired up my trusty Omega 4X5 enlarger and did a couple 8X10 prints on some Foma matte VC FB paper. I made a small batch of E72 developer to dip them in and was very happy with how they look. I use an older Ilford 400 variable contrast head and did a test strip with it set on "2" contrast setting. I picked a negative from the ISO 50 set and enlarged one to 8X10. I found that it printed in a very reasonable time, and rendered the scene just the way I saw it, with no burning or dodging done at all. I'm loading some more test rolls today, but won't shoot them for a few days, since it's doom & gloom in my part of Michigan right now. Going to see if my old Kodak Retina IIa's 50mm Xenon is up to handling this stuff. I'd love to try this in my Contax G1 with 45mm f2 Planar, but it and all my good cameras are up at my cottage at the moment.
Has anyone else here been doing any wet printing with this film, and what's your experience if you have.
 
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John Wiegerink

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Alan,
I remember seeing the first picture, but not the Rollei Retro 80 one. When I used the 1+25 slow-to no agitation Rodinal with HR-50 I didn't find the grain to be that bad at all. After New Years, I'll be headed back north to the cottage and my stash of chemicals for more testing. So far Rodinal and BTTB looks promising, but I want to at least try Karl's 2B-1 2-bath and 2-bath made with PC-512.
The reason I ask about wet printing was I wanted to know just how other folks here handle HR-50. I printed the BTTB developed shots, and they print so easily on the Grade 2 setting of my Ilford Multigrade head that I thought I was printing Pyrocat-HDC negatives. Maybe it's a characteristic of BTTB, ease of printing? The sun is out in Michigan today and I'll get out for another short roll and see what I get with that.
 
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I printed the BTTB developed shots, and they print so easily on the Grade 2 setting of my Ilford Multigrade head that I thought I was printing Pyrocat-HDC negatives. Maybe it's a characteristic of BTTB, ease of printing?

Yes, it is! The Thornton 2 Bath process always gives me negatives that are easy to print, easy to scan, and have excellent tonality.
Note that the 2B-1 will give you negatives that - in comparison to the BTTB negs - will have hotter high values (significantly more density) and more contrast overall. I found the results I got from 2B-1 to be too harsh for my taste and will instead stick with Thornton 2-bath. of course, YMMV.
 
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John Wiegerink

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Yup, I think BTTB with HR-50 is just fine, but you know how we are here...................gotta try a couple other developers too. I also like the fact it's not fussy whether you scan or wet print the negative. At least I have found a keeper for now and could get by just fine with BTTB.
 
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Yup, I totally get that, which is why I had to test Karl's developer to compare with BTTB. As a result, I find I'm back to my base, where it's BTTB, or PMK or occasionally Xtol (well, Adox XT-3) as my top choices.
 
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John Wiegerink

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Yup, I totally get that, which is why I had to test Karl's developer to compare with BTTB. As a result, I find I'm back to my base, where it's BTTB, or PMK or occasionally Xtol (well, Adox XT-3) as my top choices.

I'm not done playing around with Pyrocat-HDC and HR-50 either. I think I can get it to work just fine with HR-50, but whether it turns out better than BTTB remains to be seen. I use XT-3 Replenished, so I can't dilute to 1+3 or more, but I will try to see what I get with the Replenished version when I get back to the cottage,
 

Alan Johnson

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In his earlier book "Elements" p31, Barry Thornton noted:
"My two bath seems to lift shadow density and contrast and roll off the highlights more while leaving the critical mid-tones better separated"
On p93 "...the second bath....I agitate just once at 2 minutes and have no problem with streaking....." "The second bath effectively makes the metol work at high dilution aiding definition even more."
 
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John Wiegerink

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Thanks, Alan, I've been agitating very gently every minute in "B", but will give your agitation scheme a try. Maybe that's what I'm liking, nice mid-tone range? I don't know for sure, but the negatives, while seemingly a little thinner, seem to print and scan very nicely. Using Thornton's 2-bath almost seems like cheating, it's just tooooooo damn easy. You just can't get good printable negatives unless you work your ass off. Right!
 

relistan

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Yup, I totally get that, which is why I had to test Karl's developer to compare with BTTB. As a result, I find I'm back to my base, where it's BTTB, or PMK or occasionally Xtol (well, Adox XT-3) as my top choices.

I still think you over exposed the negatives you did in 2B-1. It's giving a speed boost and needs less exposure. Your highlights will be hard if you over expose it (and develop normally). You can see in this thread above how well my two baths (2B-1 and 2B-4) did with HR-50. Since you already cut your dev time to as low as makes sense, less exposure is the next step.

Of course if it's not the tool for you it's not the tool. But it might be for others.
 
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