Or maybe, just maybe, there was insufficient demand for the product to continue to manufacture it at a profit. It really isn't rocket science.Another reason could be that they disliked the font used for Acros on the packaging and they realized that it would be too costly to change it so they stopped production. Or maybe they had to order a new batch of plastic containers and that’s what ate their profits. Hey, we can speculate and this is the internet, right?
Or maybe, just maybe, there was insufficient demand for the product to continue to manufacture it at a profit. It really isn't rocket science.
Google translate was hilarious and 100% correct at the same time:
Google translate was hilarious and 100% correct at the same time:
"Although it is truly selfish, thank you for your kind understanding on your circumstances.
We look forward to your continuous patronage of FUJIFILM products in the future."
This is sad for the Acros shooters. It looks more and more like Fuji is going to pull out of film altogether. I'm sitting on 11 rolls of Provia 100F and 6 rolls of Velvia 50 in 35mm; I'll continue to buy when I can afford it, and anxiously await the Great Yellow Father's reintroduction of Koda - er, Ektachrome. Ferrania's reportedly supposed to have their 120 line set up soon, and won't have to rely on a third party to convert their 120 film. This means they'll have an additional revenue stream to use to get their 35mm converting equipment set up, which should allow for more throughput for their P30 Alpha. This in turn gets them more revenue to be able to work on their E-6 emulsions.
As Fuji shrinks, it appears that Kodak and Ferrania are trying to fill in the void. Now if somebody would make an ISO 400 E-6 emulsion, they'd have a captive market. There are some situations for which ISO 100 just isn't fast enough, even with a tripod. For some reason, race cars going around a track at high speed just won't attach to a tripod!
As Fuji shrinks, it appears that Kodak and Ferrania are trying to fill in the void. Now if somebody would make an ISO 400 E-6 emulsion, they'd have a captive market. There are some situations for which ISO 100 just isn't fast enough, even with a tripod. For some reason, race cars going around a track at high speed just won't attach to a tripod!
I have 3 rolls of Acros drying on the hanger right now. God I love this film. The stock market is crapping all over my financial life again right now, inhibiting my plans to buy as much Acros as I can shoot for the next many years. It really sucks to be a film shooter right now who lives and breathes Acros like I do. Very very depressing.
however if your best defence of a film is its reciprocity characteristics, I'd suggest that you really aren't looking at the stuff that matters anyway.
In Canada Acros was by far the least expensive 120 Black and White film.
Where do you get it so cheap?
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