The film speeds are rated very accurately by stringent international standards governed by the ISO. The real question is: will your equipment, with all its biases, reflect the film's nature?
For what it's worth, I've found that the Portra films are always looking great when shot at box speed. They have so much latitude (almost 2 stops underexposure and many stops of overexposure) that you could just shoot blindly and it would work anyway.
If your lab can produce real contact sheets, you might nail down a more precise EI with their help.