David H. Bebbington
Member
The following caught my eye in Monday's newspaper here in the UK:
The Paul Arden column, the Independent, 8th August 2005:
JUST A THOUGHT
LOOK AT IT THIS WAY
I used to commission a lot of photography.
Consequently people were keen to show me their work.
99% of the portfolios I saw were of a very high standard.
98% of these cases contained pictures I had seen before.
Obviously not the same subject or composition, but I had a general impression that I was not seeing anything new.
I was bored, they didn't have a point of view. If they did it was that the viewer of their pictures (me) should like their work
Very occasionally, I saw the work of someone who did have a point of view,
whose work was like no one else's. These were often difficult people, almost unemployable because you couldn't tell them what to do.
Sometimes it went wrong. Sometimes it didn't
When it didn't go wrong it more than made up for the times it did.
Gilbert Garcin is eighty years old. He started taking pictures when he was 65. He has a point of view.
The Paul Arden column, the Independent, 8th August 2005:
JUST A THOUGHT
LOOK AT IT THIS WAY
I used to commission a lot of photography.
Consequently people were keen to show me their work.
99% of the portfolios I saw were of a very high standard.
98% of these cases contained pictures I had seen before.
Obviously not the same subject or composition, but I had a general impression that I was not seeing anything new.
I was bored, they didn't have a point of view. If they did it was that the viewer of their pictures (me) should like their work
Very occasionally, I saw the work of someone who did have a point of view,
whose work was like no one else's. These were often difficult people, almost unemployable because you couldn't tell them what to do.
Sometimes it went wrong. Sometimes it didn't
When it didn't go wrong it more than made up for the times it did.
Gilbert Garcin is eighty years old. He started taking pictures when he was 65. He has a point of view.
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