Larry Bullis
Allowing Ads
Apparently, somewhere down the line someone forgot to tell these folks about "repeat business". You don't get repeat business with the p&s digital crowd, period.
actually it makes a lot of sense what the guy said.
he doesn't want to hang onto stock and maybe not sell it to
the few people who might buy it, seening that those few people are becoming fewer and fewer.
I have to disagree a little here, you probably don't know how often digital camera's break down, it's a nightmare (and heaven) for shop owners. P&S in the analog eara tended to be relative robust, and generally did not break down after just half a year's usage or so.
Just imagine these conversations:
- Shop owner: Oh, your digital compact camera doesn't work anymore?
- Client: Yes, the lens doesn't come out.
- Sorry to hear that, do you still have warranty?
- No, it's 2 month's past warranty.
- Sorry to hear that, sending it back for repair costs $25,-, and research costs are $75,-. An average repair is $150,-. Our cheapest camera is currently on offer for $129,-. Do you still want it repaired?
- No thanks, I'll buy the new one!
Or this one:
- Client: my camera's battery is empty after just 10 shot's.
- Shop owner: Sorry to hear that, how old is the camera?
- Well, it's two years old.
- Oh, dead battery, you need to buy a new one, it will cost you $50.
Talking about "no repeat business"
Happens on a daily basis in every digital camera shop around the globe...
...
Me: But you always sell out of film. At full price. On the regular basis.
Laoban: Yes, but no one shoots film anymore.
Me: I shoot film and process it myself.
Laoban: But if you shoot digital you do not have to process film. Processing film is complicated and hard to do.
Me: Nah, processing film is so simple even you can learn to do it.
Twenty minutes later:
Laoban: Hey, you insulted me! Didn't you?
Steve
This is the unfortunate truth of it in a nutshell.Still his shop, and if he wants to promote digital, in whatever manner, it's his business.
Nobody said he was smart.
Freestyle doesn't ship overseas (unless you are in the military) and I'm not going to bug my family to go into downtown and get something for me.
However, when I'm back in the LA area visiting them this April I will make sure to stop by.
I have to disagree a little here, you probably don't know how often digital camera's break down, it's a nightmare (and heaven) for shop owners. P&S in the analog eara tended to be relative robust, and generally did not break down after just half a year's usage or so.
When will the corporations and the retailers learn that the big money, the repeat money, in photography comes from "hard copy"? Photographic cameras and lenses are just one-offs but those very gadgets mandate a continuing investment in picture making materials. Real physical pictures made of valuable materials, silver for example, or platinum, are irreducibly expensive.
And remember, actual photography, the art that makes pictures out of light sensitive materials, exists ONLY as hard copy.
Electronic picture making, digital or analogue, is virtually free of charge at the taking stage and if monitor presentation is chosen the display stage is free too. There is nothing for the manufacturers or retailers here beyond the sale of the original gizmo.
Since this thread started as a rant I'll throw in a kicker. I reckon it's time "digital photography" was taken to court in front of the world. Digital picture making, whatever it's virtues, is simply not photography and it is a continuing swindle to imply that it is. The whole case may cost a few million but it will have to be won only once. And Kodak, Ilford, and Fuji could easily afford it particularly if they woke up to the deep value of what they still have. It's not too late.
Rolex, Louis Vuitton, and other premium names defend their status in the courts, and win. The French champagne industry, after a hundred years of foreign rip-offs, has finally and successfully defended the name "Champagne" in the courts. For all of the 20th century one could buy "Australian Champagne". But no longer. It never really truly was Champagne just as digital pictures were never really Photography.
I guess I don't see why anyone would be upset with an individual that has invested his money in a shop and runs it the way he wants to. This doesn't look like to big of a deal.
If you don't think his business plan is right for the location, start your own shop or by the HP5 next door.
Mike
What you folks may not be aware of, is that Kodak has virtually stopped selling small product orders to individual shops, rather they have appointed several jobbers who sell to small shops. Unique Photo is one of these, I wouldn't be surprised if B&H isn't one also. So in all likelihood your store owner would have to order film from the same place you can order from yourself.
While the OP's store owners logic seems daffy, in truth he may need to make a substantial order from his jobber. (Minimum order), and he just doesn't have the need to place this order whenever he runs out of Tri-X. He seems unwilling to "gamble" on film.
Actually, it's mostly due to students. Toward the end and beginning of each term, students will buy a bunch of b&w film and chems. It's not just one guy hording.The shopkeeper failed to tell you that a (one) hobbyist comes in from time to time and buys the three or four rolls he keeps on the shelves for months.
So all the things he told you were true.
I think where it defies logic is that if your jobber requires you to order X amount, say 5 bricks, so you order 5 bricks, and run out after 5 months, then you wait another month and order another 5 bricks, would seem to be more logical, that if your running out, you would order an extra brick, so that your supply is getting near zero about the time your next supply comes in.
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