In my experience anything with no control over the exposure isn't likely to be good. Basing this on a selection of horrible fixed shutter speed/aperture/focus compacts I had as a kid, they could just about get a reasonable shot in broad daylight but forget about shade, indoors, etc!
There are many who read these posts who have little or no experience in buying a used camera. I would like to offer perspectives on SLR bodies to largely avoid. There were some troubleprone cameras made and time has allowed us to be better judges of just which ones they are.
I offer the following SLRs, due to frequent jamming: Petri FT II (maybe even ALL Petris, although their lenses are superb). Also, Praktica tends to jam too often. Zenit, as simple as it is, can have bad quality control and for that reason can be one to avoid. Also, Topcon UNI (NOT the RE though, which is good). The Yashica electronic cameras sometimes offer problems.
There certainly are exceptions to all of these but, generally, these are the worst in my opinion. - David Lyga
if you don't mind bumping up to MF, the Kiev 88 is my nominee for the all-time suicidally-inducing fall-apart-on-opening-the-box piece of crap camera in existence.
At least the one I had, briefly, was -- it made three trips to be "fixed" in the space of a month, and the last trip was one-way after it started falling apart, quite literally, in my hands as I just worked the shutter because at that point I was afraid of the thing.
I know the Kiev 88 has its fans, and people speak highly of those models that have been "upgraded" with better parts, but I might, maybe, take one if you gave it to me, but that's it. Ukranian/Soviet quality control added to a camera design that Hasselblad abandoned because they couldn't make it work right is an evil mixture.
Other bottom line: Never buy a camera from a factory in a country where the rule of thumb is to find out what day of the week it was made because on Mondays everyone has a hangover and on Friday everyone is rushing to get out, and even those made on Wednesday are dicey, at best.
I second the comments on SLRs with between-the-lens shutters (Retina, Zeiss contaflex) -- the shutters probably worked well new, but are too complex, with too many things going on, to age well and are very expensive to have serviced.
I used to stip wire with my teeth also
OK: I have been buying SLRs and RFs (the cheap ones) for literally decades and do minor repairs. MY EXPERIENCE has been that (E von Hoegh) Mirandas are MOSTLY good but I admit that there are some dogs, and for no apparent reason. I have always thought that their really silly advertising (essentially 'sex' ads glorifying the man/woman sexual attraction that segues into their product(?!) is what they were trying to use to sell their cameras. Compare those 1960s ads with the cool, quite, intellectual ads placed by Nikon. Advertising, more than any other factor destroyed Miranda. Who was their Madison Avenue agengy? But, no, Mirandas were generally not faulty products.
(Dali): Nikkormat was never quite the 'god' it was cracked up to be. I have had Nikkormats, Spotmatics, and SRTs get truly soaked and only the Nikkormat did not respond to drying and TLC.Thanks, I found a Miranda Fv with a 350mm Soligor tele on it, in a dumpster. Someone had done a camo paint job with acrylics on the body. The camera functions, and the shutter is accurate enough to be useable. I guess I'll get a normal lens for it and try it out.
As for the Nikkormat, it's the only one of the three you mentioned with a metal Copal square shutter. Yours behaved about as I'd expect. Mine has been as reliable as a post for the past four years I've had it, it was made about 1970.
That being said the camera I have run the most film through this year was an Edixa Prismaflex. I just can't recommend one of these to anybody who is not mechanically inclined. Because they're all broken.
I used to stip wire with my teeth also
I also used to use my mum's hairdressing scissors!
What about Mirandas? I have one I've never used, and everyone says it's crap.
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