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That movie will be of interest as to whether it is a biopic extolling the legend of Robert Mapplethorpe as a celebrity or a insight into why Mapplethorpe could not fail to become famous.
Remember, Robert Mapplethorpe started off as an occasional Polaroid clicker and would have remained so if he had not become the boyfriend of Sam Wagstaff, a multimillionaire art connoisseur and collector. Backed by unlimited funds and relentless encouragement Robert had access to the best cameras, best film, best assistants, best set builders, best lighting guys, best film developing and printing services, best models, and a gold pass (courtesy of Sam) to the most prestigious exhibition spaces in New York. No art-world critic would dare an adverse critique otherwise they would have to answer to Sam.
The American public had a role to play. At the time there was a fascination with the demi-monde world of gay life but very few people would actually enter that world to experience it first hand. But by going to a photographic exhibition they could satisfy prurient curiosity and not catch AIDS from the pictures.
The photographic legacy attributed to Robert Mapplethorpe is certainly spectacular but I occasionally entertain the (unworthy?) thought that many at Photrio, given the same endless money, support, and publicity, could achieve as good or better. And I'll definitely see the movie if it gets an Australian release.
he was a nutter but a very talented nutter.I remember I was an undergrad studying photography when his work came out in the 80's.
https://petapixel.com/2019/01/07/ma...the-life-of-photographer-robert-mapplethorpe/
I remember I was an undergrad studying photography when his work came out in the 80's.
https://petapixel.com/2019/01/07/ma...the-life-of-photographer-robert-mapplethorpe/
Not sure how that last statement was supposed to read. There was a firestorm, though not in the art world, it was those outside of it that got crazy. The gay s&m stuff hit a nerve when it went kinda mainstream in public art venues.I saw the s&m work and it was technically good I found it boring. However,it certainly created a fire storming he art world
Sorry I wasn’t clear. The=government/went nuts and wanted to shut down the national art foundation. Don’t remember the exact nameNot sure how that last statement was supposed to read. There was a firestorm, though not in the art world, it was those outside of it that got crazy. The gay s&m stuff hit a nerve when it went kinda mainstream in public art venues.
I was an undergrad in Cincinnati at the time and saw “The Perfect Moment” at Contemporary Arts Center just as the shit was hitting the fan. Big crowds, police, a lasting embarrassment for the city, and a show that was less shocking (the sex) and far more beautiful (everything else) than I expected it to be. It was an education.
https://www.washingtonpost.com/ente...59f5e244f92_story.html?utm_term=.2746cd6ca1cf
The trailer for this movie didn't do much for me really, and is unlikely to reach the storytelling power Patti Smith's beautiful book, "Just Kids", or the two very good movies about Mapplethorpe already available. "Mapplethorpe" has a 33% on Rotten Tomatoes, not a good sign.
As for Mapplethorpe's work, two thumbs up from me.
His work back in the day (The 80') before the internet, was shocking for most because it was a culture that existed but not many people knew about it. Now is not shocking at all with porn of all genres being somewhat mainstream and made it's way into American culture. I'm sure there are some that are not into porn, but wanted to see the work of Stormy Daniels after Trump paid her hush money. I don't see Mapplethorpe's work or porn as immorality. It's just the world changing. For better or for worst, I don't know.
I agree, and think as with most artists they are best understood with knowledge of the artist's life and the times they lived in. Mapplethorpe's work is richer for me because I was artistically active at that time, appreciated photography, knew nothing about the pre-internet sex acts I was about to see, and was fascinated with the overkill response of the very conservative Cincinnati to the exhibition. It was a complete government shitshow from bottom to top, and the spectacle was an education.
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