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A-2580 35mm film ?

Puddle

Puddle

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Given the speed and age, this might be Double-X Negative with bad fog -- introduced 1959, still available as cine and reloaded by various suppliers for stills

I vaguely member that my first roll of Double X 5222 was of the old Ink number variety, and the code was "C"

or one of the Plus-X cine films (one reversal, one negative, same speed -- not sure what the difference was, perhaps silver antihalation in the reversal stock).

Plus X and Tri X reversal were basically only sold in 16mm (and Regular and super8). last 35mm Plus X was 5231 at 80 ASA. Don't know what the code letter was on that. Their was one called XT pan or "Background Pan" at about 25, deigned to make B&W background shots to do effects in studio. (traffic showing in the back window of the car that is driving around.) It was gone by the 70s. I did get one 100ft roll as an "end" and quite liked it.
 
I vaguely member that my first roll of Double X 5222 was of the old Ink number variety, and the code was "C"

What do you mean by "ink number variety"? Lettertype?
 
What do you mean by "ink number variety"? ?

At one time, Kodak put the footage numbers in ink of the base side of the film. as well as frame line markings every 4 perfs.
Eastman Color has always had latent image numbers, as the ink would come off with the REMJET.
Current production 5222 has Keycode latent image footage numbers. Keycode is a machine readable bar code with all the data printed on the edge of the film that can be scanned with the film and used as Meta data on a hybrid work flow.

PX 417 - is a special roll. I am not sure what the intended use is, but 35mm Still film - (hence the 5062) but with BH1866 perfs. packed on a 100ft Movie spool. (S-86 AKA Kodak film Number 10 spool)

I had one roll of TX 417 and also noted the tiny edge printing, but no footage numbers.
 
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