Yeah, I don't understand that either. If I wasn't proud of my medium, I'd choose another. I might be wrong, and I hope I am, but it seems like some of the digital photographers I know find traditional darkroom work too difficult and esoteric to learn, despite it's superior results, and pin their hopes on the evolution of the digital media. That would account for some of the envy, frustration and coopting of traditional nomenclature by some digital photographers. I know others who work in both media, and they use each selectively for good reasons. I don't let it bother me too much unless someone confronts me directly and tries to sell me their process, reasoning that mine is destined for extinction. I don't think that's the case, and I can make a pretty good argument to support my medium, if they're willing to listen.