portraits, kids, landscape, architectural and travel shots
Framing is generally more accurate on an SLR, and if you want to shoot closeups, an SLR is usually better for that as well. That said, I used to have a fuji ga645W and really enjoyed it. But I usually describe those cameras and the mamiya RFs as travel / documentary / landscape cameras. For those purposes they are true weapons. But for several of the things you mention (portraits, kids).... not so much.
How about a mamiya 645 pro, or pentax 645 NII or comparable bronnie? I like the modularity of the pro- you can go with or without a winder, prism etc. Stripped down, it's a cute little manual-everything box. I am not wild about the landscape orientation though, that's my main (and perhaps only) gripe.
Another Fuji you might look at is the ga645zi, that has a zoom and is a lot of fun. Noisy but fun.
I just sold a mamiya 645AF, that was a fun camera that I miss already. You can work very fast with it, a shot per second or so. It handles a lot like a 35mm camera, but the AF is medieval compared with any of the current 35mm cameras. And again it is a bit noisy. The newer 645 AF may be worth a look but they are pricey. There is a Rollei 6x6 af camera that I assume pretty much all of us covet. I can refer you to a friend who has one if you wish- Jason Keefer.
It is funny, as I have been a long time Bronica ETRS user and it is a great camera, I recommend it very highly but, I have just pulled out my Rolleiflex T and am in the process of finding a service for it. I've finally figured out that sometimes less is more. The T with a few filters is as easy and fast to work with as my Bronica and I do not have the "need" to get more lenses, hoods, prisms, blah, blah. In other words I find I think more about photography than the equipment. If you want to try a 645 system, the ETR series is a very good starting place as the going prices provided you stay away from the shift lens is almost dirt cheap. In today's market a basic setup can be less than a mid-level 35mm slr film system. The prices seem to have stabilized so even if you do not care for it, provided you did not pay more then the going average price, you should recoup most or all of your costs.
I have already the Mamiya 645 pro for over 16 years but in "quick mode" with AE prismn and winder it's over twice the weight of a C.V. Bessa III folder. And at the end 6x4,5cm against 6x7cm. But you're right the M645 is a modular system. With crank winder and with finder together with a standard 2,8/80mm it's also a light system but then not quicker in handling then the R.F. camera. Apart from the fact the Bessa III is so silent you can not hear it. Even more quiet then my Leica M7 R.F. so it's just what you're searching for. Apples and Peers, what is your taste
I have a rolleiflex 3.5E and a mamiya 645 pro tl. I really like both camera's but I've found that the rolleiflex to be difficult to focus quickly. When I want to take pictures of my kids I usually grab the mamiya or my nikon fe2. All my camera's are manual focus but using and SLR is just easier for me. The mamiya is large but not too heavy and I really like that it is a modular camera.
I've got a set of Yashicas
Thanks Keithwms
All good advices. My concern about the mamiya 645 and Brnica (I had the 6X6 and it was fine) is weight and they feel heavy and strange in portrait mode.
The ga645w will be a good choice for landscape but I am looking for a do it all (ok just as much as possible). a zoon like the zi may come close and 645n with interchangeable lenses will probably have a wider range of suitabilities. Have you tried either one of these well enough to compare them to the ga645?
The rotating back of the Mamiya 6x7's is very convenient but they are NOT light... still if you want something light I think you should look smaller than 645. The biggest 35mm SLRs are as heavy as the lightest 645's but the lightest 35mm are much lighter and more compact.
645 and 2-1/4 square hit the sweet spot where resolution of the better lenses is on par with (no longer bottlenecked by) the limits of detail that most common film emulsions can resolve. It's fairly easy to bump up against these film resolution limits in 35mm, certainly in low-contrast lighting. Larger than 645, the challenge becomes finding a system with lenses that aren't the bottleneck.
+1 for the Pentax 645N or NII. Great feature set, great viewfinder, rugged build. Lenses are sharp, plentiful, and relatively cheap. (Non-AF ones have exquisitely smooth focusing helixes.)
Not sure I understand what you're asking about the zi; you mean, compared to the pentax 645ns? They are completely different. I tried a 645n2 once and I really really liked it. I decided it wasn't for my own purposes but I liked it very much. My suggestion is to price a system and try it out. If you want a do-it-all 645, you'll probably adore it. I wasn't looking for a do-it-all system; I was looking foremost for travel compactness. And about 95% of what I care to shoot is scenic stuff. When I do closeups it's almost always with an rb, rz, or larger LF camera.
My parting ramble is that if you (original poster) want the versatility of 35mm... then use 35mm! Absolutely nothing wrong with it. Format wanking is unhealthy and will eventually make you blindI have witnessed this so many times: people doing just fine with one format, then encountering a slightly larger one and thinking it will transform their results. And then they hop to the next larger and the next larger. This way of thinking just boggles me. Been there done that. I find plenty of unique uses for all the formats. How big you can [theoretically!] enlarge before seeing grain is, to me, just about the silliest argument in all of photography. At the end of the day, with good film choice and development technique, the differences are far less important than how the different formats enable completely different ways of seeing. End of rant
Format wanking is unhealthy and will eventually make you blind
Thank you hpulley
Yes, I love the rotating back on the 6X7 but I am not a studio shooter not do I shoot in any pre planed setups (wish I did) - 645 seems a more practical direction or stay with what I have as 6x6
Why do people feel the 6x7 has to stay in the studio? I walk around and shoot mine hand held all the time, often with a 35mm around my neck and a big camera bag on my shoulder or back at the same time. No big deal.
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