Returning to the use of the word "take". If you go to South Louisiana to Cajun Country, you might, indeed, hear someone say they are going to "take a haircut", and maybe even "take lunch". They did not learn that from photographers. That is the way that they talk. As for the rest of us, especially us older types. the question of using or not using "take" in making a photograph has only come up in my lifetime. I guess before I was born, no one really gave a damn (most people still don't). It really is just something to talk about. I personally prefer "making" a photograph. Now, something really important: at what point does a "photograph" become a "Picture". To me, not all photographs are pictures. To me, if it is good enough to hang on a wall (any wall), it is a "picture". Until then it is a photograph..........Regards!Thick? Seriously? His "accent" was very mild. I wonder what you'd think of a Yorkshire or Geordie accent (my favorite - though I think most Brits think it's awful).
From my perspective, English is weird with the word "take". I've heard people say they're going to "take a haircut" (whaaat?) or "take lunch" (take whose lunch?). So, "taking a photo" seems like they're going to take it off the wall or table. When I'm holding a camera and pressing the shutter release, I'm making the photo. As for shooting, aside from "shooting one's cuffs" (a delightful phrase), I reserve shooting for my firearms, of which extremely long range target shooting is another hobby of mine.
Anyway, to the subject:
* I definitely liked his comments about water and they make sense, though I'll plead guilty to wanting to blur waterfalls.
* Foreground interest. Yep. Guilty of that. Sometimes it does add a sense of scale. The key, I think, is knowing when to use it.
* Panoramas. Ultimately, after making many bad photos, I came to the conclusion he did: trying to get everything in just makes the image weak unless the entire panorama is spectacular. By selecting individual aspects out of the entire scene, the result is several photographs, each of which are more interesting than a single panorama.
* Golden hour. Is it about the quality of the light itself? Maybe I misunderstand, because I thought early morning or late afternoon light was about texture and shading on the subject. Here in the Pacific northwest, or even the desert around Palm Springs, mid-day light is so flat and everything seems washed out.
Well, let's see now. DO NOT EVER use a slow shutter speed to shoot "running water" or better yet "moving water" even when they is the best way to make a "static" water scene "interesting" and for gosh sakes DO NOT INCLUDE interesting skies that might make the image "more interesting". Why not save time and DON'T DO ANYTHING THAT MIGHT MAKE THE IMAGE "INTERESTING AND NOT BORING TO LOOK AT". Thanks F64 and I'll have you know that I am NOT feeble minded, only old, real old Thats why I know when and where to use sarcasm........Regards!
Regarding skies, in the old days when this was done regularly (some even had negatives on file of skies with pretty clouds, (no Photoshop then), they were very proud of their photographs where no-one could tell that the sky had been added. Just finished reading a book about A. Aubrey Bodine, who kept such a file.I have worked in Salons where when a Bodine print went into the box for judging, everyone knew who had made the image. He had his own "style". We see very few people making pictures today with a recognizable "style"......Thanks F64.........Regards!I think what he is talking about, and he even says it, is people who use those 10 stop ND filters for a 2 minute+ exposure of water. I like the way around 1/2 second or so looks, 2+ minutes it turns into a white blob. And he said "replacement sky" as in photoshopping a sky into a picture. If I'm going to go out shooting landscapes, I general try to pick a day where the sky is interesting. If it's not, I compose to make the sky that is there work.
It I is a classic midlands English accent. What do you mean 'thick'?
I think he was meaning very very strong. I was born and grew up in the North East of England and I have no problem with people speaking in my area, but go to somewhere not to far away (no more than 20 miles) where they have a slightly different accent that can be almost unintelligible to an outsider, including myself!
... I have no problem with people speaking in my area, but go to somewhere not to far away (no more than 20 miles) where they have a slightly different accent that can be almost unintelligible to an outsider, including myself!
I'm a sucker for black sky photos with thick white bulbous cumulus clouds ever since I was 12 years old.Forgot red filter to make sky darker! Oops that is for black and white film though can be used in digi to BW conversion.
Having never owned a darkroom, I always thought the lab "made" the picture. I only "shot" it or "took" it. Mostly I only "snapped" it.Having been 'making' photographs using LF cameras for some 65 years (starting off under the 'eagle eye of a semi-retired "Master" who 'thoroughly enjoyed 'yanking my chain' as often as possible...but he was more than somewhat strict about "good photographs' being 'taken' ...or 'shot" he always insisted that good photographs were MADE... thus ... to this day I still 'cringe' when I hear...or read about photographs being "shot".. or "taken".
Your mileage may vary...
Ken
Well, let's see now. DO NOT EVER use a slow shutter speed to shoot "running water" or better yet "moving water" even when they is the best way to make a "static" water scene "interesting" and for gosh sakes DO NOT INCLUDE interesting skies that might make the image "more interesting". Why not save time and DON'T DO ANYTHING THAT MIGHT MAKE THE IMAGE "INTERESTING AND NOT BORING TO LOOK AT". Thanks F64 and I'll have you know that I am NOT feeble minded, only old, real old Thats why I know when and where to use sarcasm........Regards!
Just on forums occupied by grumpy old men...(from the age thread...Is photography more rules-conscious than other disciplines/hobbies?...
Regarding skies, in the old days when this was done regularly (some even had negatives on file of skies with pretty clouds, (no Photoshop then), they were very proud of their photographs where no-one could tell that the sky had been added. Just finished reading a book about A. Aubrey Bodine, who kept such a file.I have worked in Salons where when a Bodine print went into the box for judging, everyone knew who had made the image. He had his own "style". We see very few people making pictures today with a recognizable "style"......Thanks F64.........Regards!
I agree that shooting at "magic hour" is magic. Problem is I don't like getting up early. When I went on a cruise throughout Hawaii, in Maui, you can visit the Haleakala Crater at sunrise or sunset. We went for the sunset tour after a great day of others sightseeing. To see sunrise,we'd have to meet the tour bus at around 330am. Gads!The "golden light" one hits home with me. I've read so many photography books talking about getting up super early, shooting, then go back to the hotel until late in the day. Like there is only an hour of two of usable light in a day. I shoot at all times of the day and while for certain subjects you need to be there when the light is right, you simply look for other subjects if the light on one of them isn't right.
Having linguistics as a hobby, I find accents fun. You are correctly describing what's referred to as standard American English which is indeed ubiquitous throughout the country thanks to coast-to-coast radio and TV networks since the 1940's.
Several times I've driven across the U.S. from Washington state all the way to Maine (visiting relatives) and back, staying in small towns to hear accents. Sadly, standard American English was dominant everywhere: local radio, in restaurants, in stores - even in Massachusetts and Maine. The only stronghold of distinct regional accents was among older people. Young people had grown up with TV, movies, YouTube, etc., so their regional accent never developed.
Yet there are places in Texas, Louisiana, and especially South Carolina, where I delightfully cannot understand a complete sentence.
I once knew an older gentleman from South Carolina. As I recall he was from a coastal region. He was self conscious about his accent because he said it was not a typical Southern accent that people expected to hear from him.Having grown up in South Carolina I can verify that the accent varies widely by county, and sometimes by zip code. Even within families, younger people often have very different accents from their grandparents. The old Charleston families at one time gave up completely on trying to speak English. Oyster was pronounced EYE-ster. Most educated southerners can actually speak Standard American English and can turn the drawl on-or-off as desired. I also lived in Louisiana for 5 years, so I can understand just about anything. The only English dialects with which I struggle are those from parts of India where they speak in a monotone. If I can't see the lips moving, I quickly get lost.
The accent of the guy in the video is easily understandable. Unfortunately he really needed a script and an editor. He expressed 5 minutes worth of ideas, but it took him 15 minutes to do so.
I'm pretty tired of all this talk about accents. Are we really this shallow?
Well, the way I look at it, I expose film, or perhaps better...selectively expose film to record the light reflecting off objects or or otherwise emitted towards the lens/camera. At this point, I have created a latent image on film. I then develop the film to create an actual image on film, a negative. If I print the negative onto light sensitive paper or other substrate, it then becomes a photograph.... Now, something really important: at what point does a "photograph" become a "Picture". To me, not all photographs are pictures. To me, if it is good enough to hang on a wall (any wall), it is a "picture". Until then it is a photograph..........Regards!
Not exactly replacement, but for years I've been wanting to try making a calotype à la Gustave le Gray by exposing one normally and then flipping the DDS over and making another very short exposure for the sky. Then they would be printed one after the other after masking out the non-sky portion of the sky calotype.
It's probably not all that well known, because most people who work with paper negatives or calotypes or blue-sensitive film ( like x-ray film ) would make the exposure for the subject and let the sky fall where it may. That's part of the "atmospheric" look of the old blue-sensitive photos from before around 1920 with the white skies. But if you use that same film or paper and intentionally expose for sky and clouds ( like a silhouette or sunset photo ) it can be very dramatic and seem to have huge depth. Somewhat like using a red filter on pan film, but with a different look to it -- hard to explain in words. You can get the same look on pan film by using a blue filter like a 47B.
( I might be wrong, but I also have a sense that it produces a sky that is more like what you see with your own eyes than most photographs, color or BW, made w/ UV filters and such )
I really need to get around to trying it!
Eric, you don't see photographs "improved" by adding "nice puffy clouds" to their prints because people don't know how any more. Ansel and F/64 did too good a job advocating an end to such things. If you want to see it done and done well, look at prints made by the late A. Aubrey Bodine during the middle to late 20th Century. You can find them on G_____. I do hope you have not gotten rid of your stock "cloud or moon" pictures. People don't seem to realize that adding elements to a photograph is not done as "trickery" but done to make your photography more "interesting", something that far too many are not. There. I have said all that without a "you-all or y'all" which I have noticed is being used more and more for "you plural", north of the Mason-Dixon Line!...........Regards!A lot of what the was said in the video relates to what you see on Instagram and Facebook these days. Plus images being sold in tourist type stores. He is not saying never do it, and in fact says he uses all the techniques when appropriate. I feel what he is trying to do is dissuade people from becoming one or two trick ponies.
If all you ever do is take photos for your own enjoyment and all you want is Kenna type compositions and treatments then fill your walls with them.
I hope Sirius is just pulling our leg about youtubers accent. I am sure he is. I find many American accents almost incomprehensible but I don't slight them for it. Although I will try my level best to understand them. Being half deaf doesn't help much either lol.
Years ago I use to add nice puffy clouds to my B&W prints by using one of my stock "cloud" negatives. Worked really well. I also had a bunch of moon negs as well.
It's pretty easy to see the same old image treatments in our own Photrio gallery as well. Very few different and creative applications of photographic vision but lots of f64 genre stuff. I fall into that category as well. It's safe and better accepted by our membership than the more creative images posted. The stuff I create that I know wouldn't fly here I don't both posting. It's for my own consumption or friends I know would appreciate it.
First and foremost since I am no longer trying to satisfy clients, I create images that please me. No one else.
The message I take away from the video is no matter why you are creating images, try not to get stuck in a rut or follow the crowd.
Eric
I could have done without the reference of drawn geographic lines from 160 years ago. Youse guys just won't let it go.Eric, you don't see photographs "improved" by adding "nice puffy clouds" to their prints because people don't know how any more. Ansel and F/64 did too good a job advocating an end to such things. If you want to see it done and done well, look at prints made by the late A. Aubrey Bodine during the middle to late 20th Century. You can find them on G_____. I do hope you have not gotten rid of your stock "cloud or moon" pictures. People don't seem to realize that adding elements to a photograph is not done as "trickery" but done to make your photography more "interesting", something that far too many are not. There. I have said all that without a "you-all or y'all" which I have noticed is being used more and more for "you plural", north of the Mason-Dixon Line!...........Regards!
Eric, you don't see photographs "improved" by adding "nice puffy clouds" to their prints because people don't know how any more. Ansel and F/64 did too good a job advocating an end to such things. If you want to see it done and done well, look at prints made by the late A. Aubrey Bodine during the middle to late 20th Century. You can find them on G_____. I do hope you have not gotten rid of your stock "cloud or moon" pictures. People don't seem to realize that adding elements to a photograph is not done as "trickery" but done to make your photography more "interesting", something that far too many are not. There. I have said all that without a "you-all or y'all" which I have noticed is being used more and more for "you plural", north of the Mason-Dixon Line!...........Regards!
Returning to the use of the word "take". If you go to South Louisiana to Cajun Country, you might, indeed, hear someone say they are going to "take a haircut", and maybe even "take lunch". They did not learn that from photographers. That is the way that they talk. As for the rest of us, especially us older types. the question of using or not using "take" in making a photograph has only come up in my lifetime. I guess before I was born, no one really gave a damn (most people still don't). It really is just something to talk about. I personally prefer "making" a photograph. Now, something really important: at what point does a "photograph" become a "Picture". To me, not all photographs are pictures. To me, if it is good enough to hang on a wall (any wall), it is a "picture". Until then it is a photograph..........Regards!
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