Wondering out loud here why you specifically need rear fall instead of front rise. Only in extreme close-up photography is there really a significant difference when it comes to image management.
Doremus
I shot a skyscraper, and plan to shoot more. I have more than enough image circle coverage, any additional, perspective rise is helpful and I would use the rear standard's fall first.
I'm influenced by https://www.powerofprocesstips.com/
For even more rise, if your camera standards have "run out", but your lens still has IC, is to tilt the camera upward, and tilting the front and rear standards forward to be parallel. Not as convenient as extra rise in the standards, but it works.
Some monorails have plenty. It's really just relative to how equally tall the risers are on both front and back. Even on my Sinar F2 field 4X5, there was way more than I ever needed, so I actually trimmed down the length of the riser rods for sake of a more compact kit.
Pretty much a non-issue. Even with flatbed cameras, you can simply tilt the bed of the camera itself upward or downward, then reset the front and back to vertical, and end up with all the rise or fall you want, just like the previous two posts also noted.
What if the picture required a little tilt?
What if the picture required a little tilt?
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