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3800 - PDN or QTR?

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Carl Radford

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Will attempt to get my head round this when I return from my folks on Sunday - the week after next is the start then! Pleased that you have got things to work Sean - nice to have shoulders to stand on :smile:
 
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seans

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Sean,

Waiting with baited breath (and trying to get the picture of you rubbing your legs together out of my head). Please, please, PLEASE???

Thanks to Sensi Clay and Grasshopper!

Ok - here is my first shot at capturing what I did.
Please let me know if you want more detail or if this is sufficient.
I have more data and images if it would be helpful - but I thought I would throw this up for now and see if anyone wants more.
Thanks again everyone!
Sean

file at Dead Link Removed
 

Kerik

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Thanks, Sean. I will read it with enthusiasm!
 

clay

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Thanks for posting that. It is a very good tutorial on how to go about making your own profiles. It clearly took a lot of effort, but I'll bet others will be very appreciative for the information.

Ok - here is my first shot at capturing what I did.
Please let me know if you want more detail or if this is sufficient.
I have more data and images if it would be helpful - but I thought I would throw this up for now and see if anyone wants more.
Thanks again everyone!
Sean

file at Dead Link Removed
 
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seans

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Thanks for posting that. It is a very good tutorial on how to go about making your own profiles. It clearly took a lot of effort, but I'll bet others will be very appreciative for the information.

Clay, Kerik

Thank you both again for your help in this. I do hope the doc will help others as well.

Grasshopper
 

Carl Radford

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It is...

Clay, Kerik

Thank you both again for your help in this. I do hope the doc will help others as well.

Grasshopper

I have read it and hope to put it into action on Friday night when I'll have time to go through this methodically. Thanks for your effort too Sean.

Carl
 

Ron-san

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Ok - here is my first shot at capturing what I did.
Please let me know if you want more detail or if this is sufficient.
I have more data and images if it would be helpful - but I thought I would throw this up for now and see if anyone wants more.
Thanks again everyone!
Sean

file at Dead Link Removed

Sean, Clay, et al. -- It is great that you guys figured out a QTR profile for palladium that works on the 3800. I finally got around to reading Seans document and I have a couple of comments that you may or may not find useful. In the spirit of trying to make even better QTR profiles, here they are:
1) Clays approach is great if you already know where you are going (ie, already have a negative that works for palladium to compare to). It is not a general method for making a profile for a new process when you do not know what the finished curve should look like. And, in fact, using Clays process did not work the first time for Sean. It required a fair amount of empirical fudging to come up with Seans final curve. If you do not already know what the final result should look like, I think you have to go back to basics as described in my manual and go through that misery.
2) Sean talks about using an Xrite 810 to measure UV (ultraviolet) OD values and using that information to try and match the ideal curve. In fact, the Xrite 810 that I own only reads visible and color (RGB) values, not UV. And that probably explains why Sean found that the OD needed to print pure white was around 2.8 or so. When measured on an Xrite 316T in UV mode, you will find it takes an OD in the UV of about 3.2-3.3 to print pure white. This is somewhat important since the different Epson inks all have a different ratio of UV to visible absorbance. And UV light is what exposes the palladium, not the visible light.
3) The QTR profile derived by Sean/Clay is very nearly a black ink only profile. A little bit of yellow is used to kick up the dense end of the neg, but the other colors are set to very low ink limits and they do not absorb much UV. On my old Epson 4000 this would not have been good. With the 4000 using all the inks in similar amounts visibly led to a smoother negative. Whether or not it is important for the 3800 still has not been tested.

Anyway, after that carping, here is my confession. About a month ago I bought an Epson 3800 and, off and on, have spent the last month trying to make a useable QTR profile for it (for palladium). Until today I had failed miserably, despite heroic fiddling with ink curves. Then, today I gave up, turned off the LLK ink, and made a two part gray system profile pretty much like I used to do for the the Epson 4000. Worked on nearly the first try. In my opinion the LLK ink is more than useless for dig negs. It absorbs very little UV light and would only affect the darkest tones of the final print anyway. Trying to get enough density out of it to linearize the dark print tones was a fools game for me. Attached is the final QTR profile I came up with. It is for palladium with no contrast agent. Note that all of the inks contribute heavily to neg density at almost all levels of negative tone.

Cheers, Ron-san
 
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seans

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Ron

Thanks you for the feedback. As we all know there are many ways to get to a solution. My learnings from Clay were meant to demonstrate one more way to think about it. Forum members will be able to learn from all of these and choose what works for them.

But I do appreciate the points you made and want to add some more!

1) And, in fact, using Clays process did not work the first time for Sean. It required a fair amount of empirical fudging to come up with Seans final curve. If you do not already know what the final result should look like, I think you have to go back to basics as described in my manual and go through that misery.

For me - I knew what the final result should look like - it was a linear print for the values from the wedge. So that is why this was easy for me because using the reflection densitometer (810) I was able to check where I was and then tweak the curve. Very similar to using values in photoshop after a scan.
This is the reason I included the one output curve in the file so folks could see the linear print from a 101 step print





2) Sean talks about using an Xrite 810 to measure UV (ultraviolet) OD values and using that information to try and match the ideal curve. In fact, the Xrite 810 that I own only reads visible and color (RGB) values, not UV.

Yup - my mistake here. I used the 810 as noted above the read the print. All UV values were done with a 361. That is what I was referring to when I mentioned get a new bulb and calibration card if purchase a 361 from eBay.
Thank you for catching that

Attached is the final QTR profile I came up with. It is for palladium with no contrast agent. Note that all of the inks contribute heavily to neg density at almost all levels of negative tone.
Cheers, Ron-san

Thanks for sharing this - now we all have some options to look at a play around with
Sean
 

Carl Radford

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Hi Folks

How can I edit the qidf file as a plain text file as opposed to loading info straight into the qtr inferface? I am trying to follows Sean's info and he was good enough to send me his file which is a mac version?

I have tried loading the following info in the qtr interface but not sure this is what I am supposed to do and it brings up an error message when I try to save it.

Ink Setup Tab
Default Ink Limit 40 Black Boost 43
# ink/density/ limit
Black (K) Not used Light Cyan (LC) Toner 4 0
Cyan (C) Toner 4 0 Light Magenta (LM) Toner 4 0
Magenta (M) Toner 4 0 Light Black (LK) Not used
Yellow (Y) Toner 12 0 Light Light Black (LLK) Not used

Gray Curve Tab

Highlight 0
Shadow 2
Overlap Blank
Gamma 1
Curve ”0;0 4;15 11;26 20;34 30;38.5 40;44 50;47.5 60;52.5 70;55 80;60 90;68 96;78.5 100;100”

Off to do a bit more digging around in cyberspace to see if I can find answers but any input wI'd appreciate.

Carl
 

clay

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The files have identical formats between the mac and windows versions. So you don't really need to worry about compatibility. In fact I do the curve creation on virtual windows session on my mac (parallels) and then drag the file over to the mac desktop for use.

Anyway, to answer your question. Use the windows textedit program. I think it is under the accessories subdirectory if memory serves.

Hi Folks

How can I edit the qidf file as a plain text file as opposed to loading info straight into the qtr inferface? I am trying to follows Sean's info and he was good enough to send me his file which is a mac version?

I have tried loading the following info in the qtr interface but not sure this is what I am supposed to do and it brings up an error message when I try to save it.

Ink Setup Tab
Default Ink Limit 40 Black Boost 43
# ink/density/ limit
Black (K) Not used Light Cyan (LC) Toner 4 0
Cyan (C) Toner 4 0 Light Magenta (LM) Toner 4 0
Magenta (M) Toner 4 0 Light Black (LK) Not used
Yellow (Y) Toner 12 0 Light Light Black (LLK) Not used

Gray Curve Tab

Highlight 0
Shadow 2
Overlap Blank
Gamma 1
Curve 0;0 4;15 11;26 20;34 30;38.5 40;44 50;47.5 60;52.5 70;55 80;60 90;68 96;78.5 100;100

Off to do a bit more digging around in cyberspace to see if I can find answers but any input wI'd appreciate.

Carl
 

Kees

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to partiton or not to partition?

Just some non tested thoughts about these workflows.

When using a partitioned workflow with K, LK an LLK the extra UV blocking color(s), when mixed in, should maybe not follow the partitioning scheme for the blacks (by using copy curve). Each color has its own UV blocking capacities and the take-over points for LC and C, LM and M are maybe not the same as for the gray inks.

Couldn't that create strange non-linearities? It is also possible to partition the K's and add color by defining them as a toner. Another approach is to add all K's and colors in a non partioned way just by layering them all on top of each other (with copy curve) from 0 to 100 percent with a low ink limit.
 
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Ron-san

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Just some non tested thoughts about these worksflows.

When using a partitioned workflow with K, LK an LLK the extra UV blocking color(s), when mixed in, should maybe not follow the partitioning scheme for the blacks (by using copy curve). Each color has its own UV blocking capacities and the take-over points for LC and C, LM and M are maybe not the same as for the gray inks.

Couldn't that create strange non-linearities? It is also possible to partition the K's and add color by defining them as a toner. Another approach is to add all K's and colors in a non partioned way just by layering them all on top of each other (with copy curve) from 0 to 100 percent with a low ink limit.

Kees--

I agree that the crossover (take-over) points for the colored inks are probably not the same as the crossover points for the black inks. Nonetheless, copying them onto the black inks in a two part system seems to work just fine. Maybe because the exact crossover number used is not too critical?? And, the black inks are still the dominant UV absorbers in the system, so maybe any small problems with the colored inks get lost? Just another thought experiment.

Another thought experiment. If you layer all the inks in a non-partitioned way from 0-100%, then the inks will have to print the light NEGATIVE tones by spacing their dots further and further apart. This should lead to a more grainy result in the dark tones of the print -- where it may not be seen. So, maybe for dig negs, a one part system with all the inks piled on top would be worth trying.

For myself, I am really tired of making step tablet prints right now and intend to make some images.

Cheers, Ron-san
 

Kees

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Punished with possibilities!

For myself, I am really tired of making step tablet prints right now and intend to make some images.

Cheers, Ron-san

Hi Ron,

You are right! I'm in the same ballpark as you are with my new 3800. I'm also tired of all the testing. We're really punished with possibilities!

Indeed a two part solution with fixed points is very workable as your method shows very well! And a three part K, with a two part M and C and a one part Y does not work that well. At least when using somewhat higher inklevels then 4 or 5 percent. There seems some logic in that, with LK coming in were LLK stops. C , M and Y are missing these LL (and Y also L) parts. So they start, at once, at a different point (not zero).

Apart from a gray workflow I am also experimenting with pure C, M and Y QTR curves. This means that by choosing such a curve you get the pure Cc, Mm or Y ink only. This makes it posible to obtain almost any color (even grays and black) by using the three QTR curve mixing sliders in the QTR driver.

A process correction curve has to be applied in photoshop. But with this kind of color mixing one can obtain some sort of multigrade style density range control.
 
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Ron-san

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Hi Ron,

You are right! I'm in the same ballpark as you are with my new 3800. I'm also tired of all the testing. We're really punished with possibilities!

Indeed a two part solution with fixed points is very workable as your method shows very well! And a three part K, with a two part M and C and a one part Y does not work that well. At least when using somewhat higher inklevels then 4 or 5 percent. There seems some logic in that, with LK coming in were LLK stops. C , M and Y are missing these LL (and Y also L) parts. So they start, at once, at a different point (not zero).

Apart from a gray workflow I am also experimenting with pure C, M and Y QTR curves. This means that by choosing such a curve you get the pure Cc, Mm or Y ink only. This makes it posible to obtain almost any color (even grays and black) by using the three QTR curve mixing sliders in the QTR driver.

A process correction curve has to be applied in photoshop. But with this kind of color mixing one can obtain some sort of multigrade style density range control.

Kees

It would be fund to spend a week together trying and testing all these possibilities. Do you ever get out to Seattle? Cheers, Ron-san
 

Kees

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Kees

It would be fun to spend a week together trying and testing all these possibilities. Do you ever get out to Seattle? Cheers, Ron-san

Yes indeed! I would love to do that but Seattle is a bit far from the Netherlands. If you ever plan a trip to Europe let me know!
 

sanking

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I am awaiting delivery of an Epson 3800 that I hope to use primarily for printing digital negatives. My plan is to use a QTR profile to get as close as possible in terms of UV blocking to print with pure palladium, and then adjust this with an .acv curve created with PDN or Chartthrob for my carbon printing. This is what I have done with an Epson 2200, using a QTR profile that Clay posted a year or more ago, and it was worked fine for me.

Question is, I notice than on 10/11/2007 Ron uploaded a QTR profile for the Epson 3800 to the files on this forum. Would Ron or someone give me a brief summary of how to use this with the 3800?

Sandy King
 

Jeremy

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Does anyone have the .pdf Seans created that they could email me? I tried to go download it and the link is dead.

thanks!
-Jeremy who is about to go down the fun road of creating new curves-
 

Jeremy

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You can now find it here:

Dead Link Removed

Since sean had no problem sharing it with everyone and I'm just providing access I don't think it should be a problem, but sean, if you'd like me to take it down just let me know.
 

donbga

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You can now find it here:

Dead Link Removed

Since sean had no problem sharing it with everyone and I'm just providing access I don't think it should be a problem, but sean, if you'd like me to take it down just let me know.
Thank you Jeremy and Sean.

Don
 

sanking

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BTW, with the off-list help of Ron Reeder I did manage to install the Harrington QTR and Ron's profile for pure palladium on the Epson 3800. I had to reduce the ink density a bit to get back to what I need for printing with carbon, but once I did that it was pretty easy to create an .acv curve that linearizes output in carbon printing.

Unfortunately, I will have to use the Epson 3800 in QTR mode with Pictorico as I am getting pizza wheel marks with the slower drying PhotoWarehouse OHP. So I will hang on to my Epson 2200 until I use up the PW OHP.

Sandy King
 

sanking

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This is my first print from a digital negative made with the Epson 3800. It is a 10X14" carbon transfer print.

I used the pure palladium QTR profile that Ron Reeder posted earlier. Since it was not meant for carbon, which has a very straight line, in contrast to long toe and shoulder of palladium, I tested it with ChartThrob. I attach the .acv curve that was generated. To make the negative I printed with the QTR profile, but added the .acv curve. The result is very close to ideal.

The Reeder QTR profile as is gave a Dmax of about log 3.4, which may be okay for palladium but was too high for the way I work carbon. To drop the density I used a -20% ink setting, which reduced the transmission Dmax (by UV reading) to log 2.50.

Sandy
 
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