Will attempt to get my head round this when I return from my folks on Sunday - the week after next is the start then! Pleased that you have got things to work Sean - nice to have shoulders to stand on 


Sean,
Waiting with baited breath (and trying to get the picture of you rubbing your legs together out of my head). Please, please, PLEASE???
Thanks to Sensi Clay and Grasshopper!
Ok - here is my first shot at capturing what I did.
Please let me know if you want more detail or if this is sufficient.
I have more data and images if it would be helpful - but I thought I would throw this up for now and see if anyone wants more.
Thanks again everyone!
Sean
file at Dead Link Removed
Thanks for posting that. It is a very good tutorial on how to go about making your own profiles. It clearly took a lot of effort, but I'll bet others will be very appreciative for the information.
Clay, Kerik
Thank you both again for your help in this. I do hope the doc will help others as well.
Grasshopper
Ok - here is my first shot at capturing what I did.
Please let me know if you want more detail or if this is sufficient.
I have more data and images if it would be helpful - but I thought I would throw this up for now and see if anyone wants more.
Thanks again everyone!
Sean
file at Dead Link Removed
1) And, in fact, using Clays process did not work the first time for Sean. It required a fair amount of empirical fudging to come up with Seans final curve. If you do not already know what the final result should look like, I think you have to go back to basics as described in my manual and go through that misery.
2) Sean talks about using an Xrite 810 to measure UV (ultraviolet) OD values and using that information to try and match the ideal curve. In fact, the Xrite 810 that I own only reads visible and color (RGB) values, not UV.
Attached is the final QTR profile I came up with. It is for palladium with no contrast agent. Note that all of the inks contribute heavily to neg density at almost all levels of negative tone.
Cheers, Ron-san
Hi Folks
How can I edit the qidf file as a plain text file as opposed to loading info straight into the qtr inferface? I am trying to follows Sean's info and he was good enough to send me his file which is a mac version?
I have tried loading the following info in the qtr interface but not sure this is what I am supposed to do and it brings up an error message when I try to save it.
Ink Setup Tab
Default Ink Limit 40 Black Boost 43
# ink/density/ limit
Black (K) Not used Light Cyan (LC) Toner 4 0
Cyan (C) Toner 4 0 Light Magenta (LM) Toner 4 0
Magenta (M) Toner 4 0 Light Black (LK) Not used
Yellow (Y) Toner 12 0 Light Light Black (LLK) Not used
Gray Curve Tab
Highlight 0
Shadow 2
Overlap Blank
Gamma 1
Curve 0;0 4;15 11;26 20;34 30;38.5 40;44 50;47.5 60;52.5 70;55 80;60 90;68 96;78.5 100;100
Off to do a bit more digging around in cyberspace to see if I can find answers but any input wI'd appreciate.
Carl
Just some non tested thoughts about these worksflows.
When using a partitioned workflow with K, LK an LLK the extra UV blocking color(s), when mixed in, should maybe not follow the partitioning scheme for the blacks (by using copy curve). Each color has its own UV blocking capacities and the take-over points for LC and C, LM and M are maybe not the same as for the gray inks.
Couldn't that create strange non-linearities? It is also possible to partition the K's and add color by defining them as a toner. Another approach is to add all K's and colors in a non partioned way just by layering them all on top of each other (with copy curve) from 0 to 100 percent with a low ink limit.
For myself, I am really tired of making step tablet prints right now and intend to make some images.
Cheers, Ron-san
Hi Ron,
You are right! I'm in the same ballpark as you are with my new 3800. I'm also tired of all the testing. We're really punished with possibilities!
Indeed a two part solution with fixed points is very workable as your method shows very well! And a three part K, with a two part M and C and a one part Y does not work that well. At least when using somewhat higher inklevels then 4 or 5 percent. There seems some logic in that, with LK coming in were LLK stops. C , M and Y are missing these LL (and Y also L) parts. So they start, at once, at a different point (not zero).
Apart from a gray workflow I am also experimenting with pure C, M and Y QTR curves. This means that by choosing such a curve you get the pure Cc, Mm or Y ink only. This makes it posible to obtain almost any color (even grays and black) by using the three QTR curve mixing sliders in the QTR driver.
A process correction curve has to be applied in photoshop. But with this kind of color mixing one can obtain some sort of multigrade style density range control.
Kees
It would be fun to spend a week together trying and testing all these possibilities. Do you ever get out to Seattle? Cheers, Ron-san
Does anyone have the .pdf Seans created that they could email me? I tried to go download it and the link is dead.
thanks!
-Jeremy who is about to go down the fun road of creating new curves-
Carl or Jeremy,Thanks Carl!
Thank you Jeremy and Sean.You can now find it here:
Dead Link Removed
Since sean had no problem sharing it with everyone and I'm just providing access I don't think it should be a problem, but sean, if you'd like me to take it down just let me know.
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