As a percentage of average income, it's still cheaper than Ektachrome was in the mid 1970s (the documentary evidence is not hard to find). Do you want sustainable production of a specialty product or not? The whiny entitlement of aged hobbyists about what were effectively massively subsidised 'halo' product lines post-1990-ish isn't going to cut it.
How did you find this?
I Googled eBay Japan, then did a search for 35mm Fuji Velvia. I also made an offer and was approved for another $10 off so I may purchase 10 more but I may decide to wait to see how it all pans out.
Be careful!
▷▷ eBay Japan and alternatives with overseas delivery
How to search eBay Japan equivalent sites in english and get items delivered overseas?www.remambo.jp
I am ignorant of what is going on in Japan. But it looks suspicious to me.
I’ll report back when I receive my order. Your right there really is no specific eBay for Japan, my mistake.
I bought a 5-pack of 120 for $69.99from Freestyle (plus a few other items I needed). I have not shot E-6 in a long time.
At least you'll be able to process it yourself, but you might want to shoot and develope some short rolls of Ektachromes to get led up to speed on the process.
Using some 'tails and leaders' with reloadable cassettes, a 36 frame roll can make up three 12 frame rolls for varied light exposure.
I know I'll be doing that in the near future, I've too many colour rolls in E6, which I've no developed since about '85, and some C41 which I've never tried my arm against.
IMO.
I guess I'll do both negatives and slides this way this weekend just to have on hand.
My first time developing slide film was around 1971-72, I was in 9th grade. 1/2 gallon E3, I was storing the solution in huge Mason jars. I remember the smell of formalin, poison, but I was fond of the smell. The emulsion was so soft it would scrape off with out much effort.
Something like 9 bathes, had to do the "reverse exposure" with a photoflood. So much fun. I highly recommend trying E6 if you have the space, time, equipment etc.
My first time developing slide film was around 1971-72, I was in 9th grade. 1/2 gallon E3, I was storing the solution in huge Mason jars. I remember the smell of formalin, poison, but I was fond of the smell. The emulsion was so soft it would scrape off with out much effort.
Something like 9 bathes, had to do the "reverse exposure" with a photoflood. So much fun. I highly recommend trying E6 if you have the space, time, equipment etc.
While you were in 9th grade I was managing an E4 slide processing/duplication for a multi-projector-slide-show operation (Media Generalists in San Francisco). Hundreds of 35mm rolls every week. Calumet nitrogen burst/Nikor reels. We modified the E4 color developer with citrazinic acid to get longer scale. Long hours, big fun. Like you, I ran E3 at home (can't remember why vs E4 at the lab). E3 duplicating film...lovely stuff.
Could be. It seems funny to me how if you buy more than one of a thing you are a “hoarder.” When I was filming commercially I would buy 100 rolls of Kodachrome for a trip. Now I can only buy 6 rolls of ilford. When the pandemic hit, anyone buying more than 2 packs of tp was a hoarder. Never give a thought to the fact that people were no longer going to work, school, on trips etc. so everyone affected was now crapping at home. No wonder they needed 6 packs of tp a week.
35mm film has become the new 22 cartridges. Everytime people see it in stock they buy more than they can use for fear it won't be available.
Film, like what Kodak, Fuji ,Ilford make is always going to be somewhat pricey. I don't see myself paying $36 a roll. I'm darn glad that it's available again. High prices act like rationing, that's a positive thing. Let Fuji and Kodak fill the distribution chain.
Better it's expensive than gone.
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