In the OLD days, it was assumed you'd buy a Verito and a camera and learn how to use them.
You focus while stopping the aperture down, and reopening it, usually while watching the highlights.
It took a while to learn. Lots of Pictorialists flocked to the Ansatigmats like Tessars and Heliars because they could SEE the image to focus. Then, they simply racked the bellows out till the sharp focus was moved between the subject and the camera. Same result, much easier.
I think most of us today would lack the patience AND necessity of learning how to make an image with a Verito on 35, it would be pretty much a waste of time. Not to mention close to three grand.
But you'd need to try it with a Nikon F (or something you could use with a plain ground glass)
A third hand might be handy. The final problem is that a Verito image works well as a contact print
because you are able to see the image life size on the glass.
Enlarging the image would change that relationship of blur to magnification.
I don't think I'll be flogging the Thambar to get a Verito any time soon.
Nickolas Muray was as good with a Verito as anybody but he shot everything with it for years and probably became pretty instinctive with it. (examples:
http://www.geh.org/ar/strip19/m197100460305.jpg)
If you pick it up John, I'll be SURE to stop by next time I'm back east !