Hey Stephe....... sorry, i am not familiar with what Canon or Nikon made over the years.Not only the price jump, the size! Also know though those 300mm f2.8 lenses have some of the best optics avail at the time they were made. It was their flagship lens.
I shoot nikon and had the "screwdriver" AF-D 300mm f4. I later got a 70-200 f2.8 VRII lens with the matching 1.4TC and honestly saw no real difference between the older 300mm f4 and the 70-200 f2.8 with the 1.4TC so I sold the 300mm. The 70-200 with a matching 1.4TC is REALLY good option. There really isn't a great TC to use with the AF-D lens. I'm not sure which version of the 300mm f4 you are considering.
Hey Stephe....... sorry, i am not familiar with what Canon or Nikon made over the years.
All i can say is that it would be manual focus.
...so fell free to share your experience with whatever you shoot in 300mm.
Oh-Man.......not enough info given.I owned a nikon 300mm f2.8 IF/ED and it was optically amazing. I will say trying to manually focus one of those super fast tele lenses wide open, especially if hand held and/or moving subjects, isn't easy. Not knowing what you are shooting and/or what film you want to use, it's hard to say if the extra stop of light is worth it. I can say high shutter speeds are your friend when using a 300mm lens. The only other manual focus 300mm lens I have used is the Olympus 300mm f4.5 and it also is optically good, but not as good as the 300mm f2.8 nikkor. As I said, those super fast tele lenses are their flagship models and they spared no expense making them. If you are planning to shoot sports or wildlife on film, I would seriously consider an F5 and a 70-200 f2.8 VRII/1.4 converter. Having VR and autofocus for these uses is a game changer. Otherwise, expect a low keeper rate and burning a lot of film.
Consider a Nikon 300mm f4 ED AF. This is the first 300 f4 auto focus lens Nikon made. Built like a full blown pro lens, drop in 39mm filters. Works great in manual focus these can be bought in nearly mint condition on Ebay, from Japan dealers, for 300 bucks. It's not going to go down in value, will work with the cheap Nikon SLR film cameras. Bright sun 1000th at F8 with 200 speed film. This is old school Nikon before they built stuff in China, Thailand.Oh-Man.......not enough info given.
I am strictly an amateur.
I shoot FP4 and HP5 and Kodak Colorplus-200.
I have some friends that are into auto racing.
My longest lens is 200. I have never hald-held more than a 200.
It comes up a bit short sometimes as a spectator at the track.
I was thinking that a 300......4.0 but not 2.8....would still be "manageable" for hand-holding . But i have tripods, i could always do that if hand-holding a 300 does not work out well.
Outside on... "sunny days" ...even with 200 ASA i should be OK for shutter speeds at f/5.6 or f/8.0.
Wait a minute..!!!!!.....will work with the cheap Nikon SLR film cameras......
TruthThis is not really allowed here and probably isn't what you want, but you can get a digital camera with higher ISO capabilities for a lot less money and more than make up for that one stop of light while saving money and weight.
None of the 70-200 versions come close here. Some of them are horrible at minimum focusing distance.
Just to be clear, the focus breathing on the 70-200 VRII is only seen at headshot portrait distances and mine is still sharp there. I tested my 70-200 VRII f2.8 with a 1.4x latest version TC and it was easily the equal of my 300mm f4 screwdriver lens, so I sold the 300mm.
For the OP, if you are looking for a low $$ way to get a good 300mm that will work on both older MF bodies and also with AF, that nikon screwdriver focus AF 300mm f4 might be the ticket.
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You could get a 180mm f2.8 and a tele converter and cover both bases. The 200mm is pretty ordinary, but have heard great things about the 180mm. With a 1.5 tele you wont be missing too much.
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