You know, if you print regularly, and use and "learn" one film and developer combination, you can get quite fast, .......but darkroom printing is a skill picked up by frequent repetition. Also, there is a difference between making the "ultimate" print and making satisfactory prints. I used to print a lot of 5x7 b/w RC paper prints from customer 35mm b/w negatives. I could print perhaps 25 prints per hour, but they were only satisfactory, but good enough for reproduction in a company newsletter. I would expose and print and develop in batches of 8 to 10 prints. When I'm doing "fine art" exhibition quality prints for myself, whenever I get an image I am satisfied with, I always make 2 or 3 identical prints. Never know when you might need another (or sell one). If the dodging and burning, etc., is complicated I take notes and keep the notes with the negative for future reprint. Nothing stresses out a darkroom session like using a temporary space and feeling like you are holding up someone else from using the space (bathroom). Much more relaxed if you have a dedicated darkroom.