Corey, in another life I worked in a B&W darkroom with a Beseler with an Ilford Multigrade head (500 I think) and a DE VERE tabletop with a B&W head alongside with a plywood divider between them
I'm not really sure about the power of the DE VERE, both were 4x5 enlargers. Unless you are putting a lot of work through, actual printing time doesn't mean much. The speed is in the ease of use in the head.
The ability to change the grade of the paper as the timer is counting down, by just pushing a button, is incredible. That to us, was a feature which speeded up printing in a manner we didn't envisage, when the first Ilford head was installed.
We used to put about 250 prints of various sizes from 5x7" our smallest paper, through to 20 x 24" (drop table on the Beseler) in a normal shift. This was almost assembly line stuff, you had to get the work out, follow printing instructions, retain quality, not waste materials and most importantly, please the client.
It didn't matter what job you were doing, everyone all wanted to work with the Ilford head, it was dream land, in comparison to anything else.
I realise that things have changed in the last 20 years, but I can vividly remember the ease that multigrade head slid print after print through the system.
Why is print timing so important to you?
Mick.