Scant few photographers use 220 film. That's a fact.
I think whomever is willing to go back in on a 220 black and white film can effectively have sole market position and garner a ton of goodwill... From me at least.
So basically there's no more 220 film of any stock that can be found for purchase. On a side topic then, there's no way to adapt 220 backs for 120 film or 35mm is there? That may be all one can do with them once stock runs out.
So too is Fujifilm, having announced a few weeks back that all 220 format film will be discontinued in 2017. Along with Velvia in sheet film format (5x4 and 8x10), among other emulsions.
Kodak is not alone. So too is Fujifilm, having announced a few weeks back that all 220 format film will be discontinued in 2017. Along with Velvia in sheet film format (5x4 and 8x10), among other emulsions.
Scant few photographers use 220 film. That's a fact. They cannot cater for a miniscule market, nor does that make economic sense given the cost of film production.
A 220 Hasselblad back will only yield 11 negatives not 12, so close but no cigar. Why waste the film? I heard that they can be used as bookends.
No Velvia 50 5x4 in Australia save for legacy inventories of it in retailers and on FleaBay. The 5x4 RVP50 was discontinued in the first tranche. Slowly but surely, Fujifilm is taking the goodies away from us. For me, I clutch Pooks the teddy tightly and hope for a couple more good years, at a minimum.
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Yeah my problem with 220 is that by the time I discovered it it was already effectively left for dead; Kodak was the only one still selling it in the states, and only Portra, and pricing it in a way that made it feel like they were pushing people out (a lot more than double the cost of 120).
No Velvia 50 5x4 in Australia save for legacy inventories of it in retailers and on FleaBay. The 5x4 RVP50 was discontinued in the first tranche.
On a side topic then, there's no way to adapt 220 backs for 120 film
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