Thanks for sharing. I had not seen this before. The paper manufacturing is interesting. The buildings across the top of the aerial scene are paper manufacturing buildings. They are gone now. In that area there was the pulping operation, a few Fourdrinier Machines, a few machine for coating paper with emulsions and a big building for paper slitting, chopping and packaging. Now grass covered fields. There was another large paper mill about 2 miles west of the site shown. Kodak also coated emulsion on paper in Windsor CO, Harrow England and Sao Paulo Brazil. The 1990 film coating building replaced some of the buildings in the foreground.
There is another interesting aspect of this movie. It documents the state of phototypesetting in the 1960s. Typesetting under went three revolutions in the 20th century. The first was Linotype/Intertype hot metal early in the century. The second is shown here with 1st and 2nd generation phototypesetting equipment, and the third was computer-to-plate that is giving way to Kodak's Prosper computer-to-ultra-speed ink jet running at 1000 ft. per minute.
www.makingKODAKfilm.com
Interesting video, thanks. Some of the processes seem to involve the light sensitive paper being in normal daylight or was that a high level of red safelight?
Pity that the sound disappeared for about 3 mins at 9 mins and again at about 21mins until the end. Was that my end only or is this a fault in the video's sound?
Thanks
pentaxuser
wow...!!
Are you involved with Kodak/Paper Making.?
Your knowledge of both is impressive![]()
Very interesting ..... Thank YouMy involvement in Kodak Paper was in parallel with T-Max Films. We introduced a few B&W RC papers, PolyFiber Paper and Elite Paper. During my Ektachrome/Kodachrome time I had a little involvement in Ektachrome Paper because most of that work was done in France. For color negative film (Vericolor/Portra etc.) the film and paper communities worked together. To optimize the performance of Portra Films we fine tuned Portra Professional Paper.
www.makingKODAKfilm.com
My involvement in Kodak Paper was in parallel with T-Max Films. We introduced a few B&W RC papers, PolyFiber Paper and Elite Paper. During my Ektachrome/Kodachrome time I had a little involvement in Ektachrome Paper because most of that work was done in France. For color negative film (Vericolor/Portra etc.) the film and paper communities worked together. To optimize the performance of Portra Films we fine tuned Portra Professional Paper.
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