I have a homemade rolling gizmo cobbled together out of an old crank from somewhere and half a dozen right-angle brackets from the hardware store, The crank allows me to roll the film onto the spool quickly and evenly. I've got a collection of 127 spools acquired over the years and a mix of saved backing papers and some made from recycled 120 papers, using one of the saved 127 papers as a template.
The film is either some 46mm Portra 160NC (long expired but stored cold) or more recent HP5 from the Ilford ULF sale. I shoot either Rollei Babies or Primo/Sawyers cameras, neither of which uses a red window for framing. The Primo needs the red window for the first frame alignment only.
I have some Italian 3D printed gizmo that can be used as a 120-to-127 cutter and spooler. I've only used it once so far.
But found it a tricky to operate, so I'll just use it as a cutter and respool manually.
The remaining 16mm strip I can use in my STECKY camera cassettes.
Also, what trimming extra paper length and bulk to better match the original roll fit in camera (ignoring red-window frame marks for now)? Fun times in the darkroom!
I'm using the FCK127 (from Italian company Camerhack) ONLY as cutter to slice from 120 to 127. The FCK127 cutter is working well in daylight. Then I use change bag to manually respool onto 127 spools. I also found the FCK127 respooling design lacking, and not worth the trouble.
This hybrid method works well, and I have no light leak whatsoever for the respooled 127 rolls including B&W and color slides.
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I've modified it to cut the backing paper as well as the film by adding 2mm to each side and increasing the slot clearance. Don't try it with Ilford film, the backing paper is really tough and the numbers are too faint to see through a red window.