Thanks and nice point! There is an instructable on the web that shows how to approach the KI 500.
Take shot- depress shutter button again and HOLD IT- advance 2 throws (shutter remains closed)- release shutter button- shutter button is set and will depress again for next shot.
Don't know if it works yet, or with perf/non-perf 35mm film, but will try this soon.
I'm hoping that Ferrania will bring back some 126 film when they get started back up. They should have everything they need there to produce the cartridges if we are lucky.
Thanks for the reply.I like the idea of sprocket holes with the square format. Of course, one can do this with many cameras. My primary 35mm camera (Minolta SRT-201) won't give me square format without cropping and it won't give me sprocket holes at all.
By (hopefully) setting up the Kodak X-15 and the Kodak Instamatic 500 so they can use respooled 35mm film, I'll be able to get lo-fi shots and higher quality shots.
And, it's fun to tinker.
This does not work on my I500. I believe it won't work on any of them, but I've only got the one to test that hypothesis.
On mine... If you press the shutter and release, the shutter button is locked until you advance the film to the next frame. If you try to hold the shutter button after pressing it, the film advance locks and will not let you go to a new frame. I think it would be easier to just set the shutter at 500 and cover the lens and shoot 2-3 shots to get to the next frame.
This is how it works regardless of whether there is film (loose) or a 126 cartridge in the camera. I believe it was part of the double exposure prevention system.
I've not run across any of the plastic Instamatics that had the build quality or function of the I500. It even has a different film advance "gear" then any of the others so my 35mm->126 cassette adapter won't even work with it.
My goal is to figure out how to get 35mm in there with the least troubles where I can do in the field to make a usable camera, without hacking, cutting or damaging it. I do think I want to get a cheaper one to hack/cut/play with though. (lesser model, not the I500.)
Thanks for the reply.
I'm all for tinkering, also for people doing what pleases them. And there's no disputing tastes.
That said, I've never understood why how the print on the wall was made is particularly important. The equipment used and the darkroom work can't be seen in the print on the wall, except perhaps in self portraits with the camera.
Walk around town with an Instamatic 104 or at a car show or touristy place and see how many people come over, amazed that you can still use one. They all want to see it and hold it and take a picture with it. Even if they don't get to see the picture.
I've even had them ask me to take a pic Using their phone, of them holding the old camera!
Then for real fun, break out the old flash cubes.
It's the journey and playing with old toys. That's the point.
I wonder if a generation or two from now folks will get misty about Androids and Iphones? Hmm.
Yeah, remember the old chunky original monochrome gameboys? They were solid and thick as a brick, those fancy new ones with colour screens you can't use as a weapon like the old ones... *sniff*
ams,
Is the lens popped into the open position? I thought it was a no-go until I realized I had the lens depressed into the body. It just wouldn't work.
Other than that, I'm stumped!
Yep. Lens is "extended" and all that. The mechanism works perfectly fine to fire the shutter and advance the film, but if I hold the shutter button down, no go.
Not a huge deal, but I do wonder why it doesn't work on mine when it does for others. I figure I'll just get a cheaper plastic body one that I can hack as needed to shoot and once I can get the 126 film cartridge reload thing figured out I'll use it once in a while and just hide the lens to fire off a few shots between official shots.
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