I'm not familiar with that camera, but wouldn't you have to see no. 2,3,4, etc., in the window, too? Does the film advance stop it at the next exposure? With cameras I own, if the film advance stops at the next exposure, they usually have you line the film up to a line on the interior of the camera, before closing and advancing to the first exposure.
Steve- that was my point. The OP seemed to think only frame one needed to be seen through the window. He'll have to use the window to line up every frame, won't he?
Steve- that was my point. The OP seemed to think only frame one needed to be seen through the window. He'll have to use the window to line up every frame, won't he?
[...] He'll have to use the window to line up every frame, won't he?
That would be true for a Hasselblad 12 or 16 back.
I have used an Isolette V with an uncovered window for several years, and have never had it fog through the red window, even in direct sunlight. I may have just gotten lucky, but I don't think you need to be overly protective about the red window. Hell, 110 and 126 film had numbers on backing paper without any window.
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