11x14 G2 Kodak AZO on Ebay...

jgjbowen

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I recall seeing either photos or a video of Ansel's darkroom and it was filled with the Blue boxes of Oriental and boxes of Ilford Gallerie.

The fact that Azo was manufactured for 100 years says somebody must have been using it.

We'll have to wait and see if anyone is willing to pay nearly $300 for a 100 sheet box of Forte.
 

Alex Hawley

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Ryan McIntosh said:
Ansel Adams once mentioned that the finest print he had ever made was on AZO. Besides for that, I don't believe he really used much of it at all.
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Believe he also said that the entire showing he did of 8x10 Azo prints bored him to death, hence he went for what he said was the more "dramatic" 16x20 enlargement. Whutever.
 

Curt

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I just finished reading the Daybooks, page by page, very intently and I didn't see Azo mentioned anywhere in it. That's not to say he didn't of course. I read AA's autobiography and didn't see Azo. I have gone through the making of 40 photographs by AA and saw plenty of references to Oriental Seagull. Although the Portfolios of AA didn't have any reference to Azo or Oriental Seagull. Adams did say that Edward Weston used Pt. and contacted on two other papers but did not mention Azo. Maybe the contemporary photographers are giving it the push and without the contact papers of the past it is or was the only one left to use.

If someone had the facilities to run an Azo type contact paper they could really clean up. For those who have some left, do you feel as reluctant to use it as I do? I have considered cutting it down, but to what size? An 8x10, two 5x7s would be nice, or four 4x5s. Edward weston made some really small prints. I have the In Focus book from the Getty and the print sizes are incredibly small. In the Daybooks, when he gave his 8x10 to one of the Sons, he went to small portraits and said the customer would have to accept them or else too bad. I like 5x7s and would be willing to double my paper count if new paper doesn't come along. I got 1500 additional sheets of 3 x 4 3/4 inch No. 2 paper some time back. It's small but it will be fun to see if I can make use of it. Some personal project perhaps?
 
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According to Kim Weston, Edward weston printed on Haloid paper during the last part of his life. He also used Convira, Velox and AZO.

Brett Weston, although printing on alot of Oriental, also made some prints on AZO for awhile.
 

Michael Kadillak

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I continue to use my Azo inventory regularly because I did not purchase it as an investment but to make prints with it. The fact that it lasts a very long time sealed the deal for me and now I am damn glad that I did. Many were feeling quite comfortable that there would be several years worth of inventory that they could continue to purchase in small increments after the announcement was made until someone came in and bought the whole enchilada. I learned a long time ago that there is no better substitute for worrying about materials than stocking up with what you feel allows you to make expressive photographs. Call it a natural hedge in an uncertain world.

To see a 250 sheet box of 11x14 go at auction for that much money is a real head scratcher. If this person really has this kind of financial resources then why the hell did he not stock up when the going was good? I hope that somehow someway a new silver chloride paper comes into the market.

Platinum anyone?

Cheers!
 

jgjbowen

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Silver Chloride?

clay said:
Can someone name the great photographers of the last century who printed on Azo? Not trolling, just curious. I know that E. Weston used Haloid and some other now-defunct brands primarily. Any 'greats' who used this stuff?
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What if we rephrased the question to "Can someone name the great photographers of the last century who printed on Silver Chloride emulsions?"

I think we zealots are hooked on the silver chloride and since Azo was the only remaining silver chloride paper we had no choice....just as we will be hooked on Lodima, simply because Lodima will be the only silver chloride paper available. I'm sure some folks will say they preferred Azo to Lodima and others will prefer Lodima to Azo.....different is never the same, but it will be as close as we can come, short of coating our own...
 

jgjbowen

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Michael, the person that purchased the 11x14 shoots 11x14. I don't know when 11x14 was discontinued, but I'm sure a box of Old grade 2 Azo was worth $3/sheet to him. I haven't seen any 20x24 Azo for sale on the 'Bay and he may need more contrast than the Canadian grade 2 could deliver. Any Grade 3 in 20x24 is likely in Michael Smith's possession and he isn't going to sell his.

Best,

John
 

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Ryan McIntosh said:
Ansel Adams once mentioned that the finest print he had ever made was on AZO. Besides for that, I don't believe he really used much of it at all.
Click to expand...

i was under the impression through the writings on michael smith's website
that ansel adams wasn't sure if it was azo or not and that it was an educated
guess that it was actually azo. from what i remember reading
( this was a few years ago, since i wasn't able to find the quote again ) was that he made
a "magnificent" print, and he wasn't sure what paper it was on ....
i wish i could find the quote again, cause i am probably remembering it a
little wrong.

i have a bunch of azo ( 4x5 + 8x10), and i use it often enough, habs
contact prints, photograms and the occasional color slide to b/w paper
internegative. seeing how much a box goes for on EBoo these days, i guess
if/when the habs program goes digital i can always sell the boxes that i have
to pay for my kids college educations
 

k_jupiter

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Ryan McIntosh said:
How sad.

That money could have been put forth to Michael and Paula to contribute to the Lodima fund. They are still in need of money for the paper and that would have been several boxes of 11x14 the person could have preordered.
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Sorry Ryan,

I prepaid for a couple of boxes of the new paper, the check was never cashed. P&M obviously don't need the money that bad, and the check is not any good anymore. I don't expect to see any paper at the pre-release price.

It's all pretty discouraging.


tim in san jose
 

jgjbowen

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Tim,

If you check M&P's site, you'll see that they never intended to cash any checks until the paper was ready to be shipped. They needed the pre-orders to determine the demand for sizes and to pay for the paper once it was produced.

Keep the faith, we'll see paper someday....
 
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Michael and Paula were not going to cash ANY checks until they knew 100% the paper could be produced. I believe they needed the preorders as a way to show the manufacture there is an interest in the paper.

If you just go to a company and ask them to make a product, they probably would not do it. If you go with hundreds of thousands of dollars as a guarentee to them, they are more likely to think about it.
 
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herb

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11x14 G2 AZO on ebay

Adding to this, I have a check in M&P's hands for quite a while, but I seem to remember a "chloro Bromide silver gelatin" paper being advertised. Was that Forte? If not, anybody know who it is/was?
 

David A. Goldfarb

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herb said:
Adding to this, I have a check in M&P's hands for quite a while, but I seem to remember a "chloro Bromide silver gelatin" paper being advertised. Was that Forte? If not, anybody know who it is/was?
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Are you thinking of Bergger Art Contact, which if I'm not mistaken is a chloro-iodide or chloro-bromo-iodide paper?
 

Scott Peters

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TheFlyingCamera said:
There's always Kentmere Kentona, or Kentmere Bromide.
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Yes, I found the bromide close...the Kentmere is decidely a warmer tone paper, creamier whites and again a warmer tone. On some images it was a nice touch.

I did manage to get some Bromide 'close' to the AZO in Amidol formula and found the whites and the tones to be closer to AZO, but the blacks were different...

I have some nuance to test which I understand is supposed to be close too. But again, I htink that is a Forte paper and no longer available.
 

bobherbst

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AZO Prices on eBay

Nobody should be surprised by prices for AZO on ebay. It's no longer available and is one of the best contact printing silver gelatin papers ever made. It has a 100 year history. Do a search on ebay using the keyword 'AZO' and you'll understand. I personally have numerous family postcards from the early 1900's printed on AZO DW card stock. Like Michael K., I am printing out my stash of AZO in 20x24 and 8x10. I have a couple thousand sheets combined in those formats. When it is gone, it is gone. I'll move on to what's available. I'll coat my own if I have to like my platinum/palladium work. If you don't have any AZO in the freezer, you'll be more willing to pay a premium for a paper available now at a higher price. Stashes will dry up. We are living in a major transition period in terms of materials in the history of photography.

Bob Herbst


 

PHOTOTONE

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Scott Peters said:
I have some nuance to test which I understand is supposed to be close too. But again, I htink that is a Forte paper and no longer available.
Click to expand...

It is not a FORTE paper, rather J&C Nuance is Efke Emaks, available from Freestyle. The closing of Forte should have nothing to do with this papers availability.
 

Scott Peters

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PHOTOTONE said:
It is not a FORTE paper, rather J&C Nuance is Efke Emaks, available from Freestyle. The closing of Forte should have nothing to do with this papers availability.
Click to expand...

Yes, you are correct! Thank you. I have heard good things about emak as well. Scott
 
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One of the boxes of G4 AZO sold on Ebay for around $1,700.00 dollars.
 
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Alex Hawley said:
I hope someone is very happy besides Dagor77. He has to be laughing all the way to the bank. I have a few sheets of Grade 3 left, maybe 30 sheets total. Someone want to make me an offer?
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Trying to plan your early retirement early with your 30 sheets of AZO, Alex?
 
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The thing is, once Lodima is available...the most of AZO will level out back to normal I believe.
 
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