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100asa b/w film

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Harry Lime

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35mm RF
I shoot Tri-X 99% of the time, but an upcoming project would really benefit from shooting some 100asa stock. Only problem is that I am mostly ignorant of slow speed films. I used to shoot a little APX100 and Plus-X about 8 years ago, but it's all a dark memory.

Therefore I have a few questions.

Do the modern films like TMAX100 and Delta100 have as much range as the more traditional films? Think Tri-X vs Tmax400-2. IME Tri-X certainly holds the highlights better. In that case would the better choice be something like Plus-X or FP4, at the expense of a little more grain? Tonality is my priority, over grain.

I've considered ADOX (art100), but I'm not sure if they have even more grain than Plus-X/Fp4, which would defeat the whole point.

Normally I would do some testing, but I'm pressed for time...

thanks
 
I get seven stops range with TMax. Never shot a roll of Ilford in my life so I can't speak to that but I suspect it is the same. The only difference I have ever noticed is the need for a tripod in more dull/low light situations due only to film speed.
 
IMO, yes, the better choice would be PX or FP-4. APX 100 is still available on ebay, but prices are up there.

I've never cared for the tonality of t-grained films and when I stopped using them and went back to trad-grain, it was like using a new camera and lenses.

PX is often called Tri-X's little brother. I'd agree. You can actuallybuy Freestyle's Arista Premium brand, (but you're in the UK, right?) which is TX and PX under private label.

D-76/ID-11 is always good for these films.
 
I agree with Jim; Plus-X or FP-4+ would be the way to go. D-76/1:1 or XTOL/1:1, the latter affording a little more perceived sharpness.
 
I was leaning towards Plus-X. It's fingerprint is very much in the Kodak/Tri-X family, which would make it easier to match prints for a photo story.

From what I remember Plus-X had a really long center and lot's of headroom in the highlights, which should make it really good for portraits (or snow).
 
You should get great success with most 100 ISO films available today. My personal favorite is Fomapan 100 for a more traditional look.
 
APX100, Plus-X or Acros for me

I luckily still have a couple of 100' rolls of APX100 (my main film). But of these three, I would have to say that Plus-X is my favoite folowed closely by Fuji Acros.

I like APX100 and Plus-X best in Rodinal (1+25) and Acros (as well as all the neopan films) in HC-110.
 
APX100 and Fomapan 100 are pretty close to each other in Rodinal. It's a pity the fiirst film is running out of the last worldwide available stocks.

Recommended APX100 iso 80 or Fomapan 100 iso 80 in Rodinal 1+25 or 1+50.

Acros 100 will only give iso 64 with the Rodinal combination. I prefer Acros 100 in Beutler (iso 100). It's the finest grain iso 100 film IMO.

Good luck with your choice!

Robert
 
There's no question really. If you like the look of Tri-X, then Plus-X is the slower alternative. Nothing wrong with any of the other films mentioned, but Plus-X is special. Give it a shot and I think you'll agree.
 
If you like the general look of Tri-X, but want it to be slower, I'd just go for Plus-X. It doesn't look just like Tri-X, but it and Tri-X do go hand in hand, as they are the only two Kodak films without "T-grained" emulsions.

(Better yet: Go for Arista Premium 100 for the slow film, and Arista Premium 400 for the fast film.)
 
Rollei Retro 100 is the last stock of AGFA APX 100 re branded according my sources. You can find rollei retro film in Freestyle
 
Thanks everyone. I think I'll stay in the Kodak family and go with good old Plus-X.
 
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