Recent content by thomasBP

Ah, a second person not telling me not to do what I want to do !

The key here is that silver chloride POP tonality can largely exceed conventional silver gelatin, but the question is : can handmade POP be close to what kodak, kentemere or chicago albumen were producing?

Thank you ! I’ll be a little bit stubborn for now, and I look forward for Peter’s inputs.

I replied to your message, you see it ? As I am new it says I have to wait for 20 messages posted before private messages..

Thank you, that’s already a lead : adox sells baryta paper for that exactly, so with what you understand that I have in mind, would that be a solution? And then, would you recommend to try one formula of emulsion more than another - or even a book that specifically discuss this ? I am attracted...

Lately my work is toned both in gold and selenium, it s adding a lot - to my eyes - but I’m searching for more.

Yes, it's hard, and you are nailing the problem here. It's very hard to know describe - or know - what I am hoping for. I'm still trying to find the good combinaison with lupex, and I am puttting my hope on amidol : it's black indeed and extremly sharp but so far the smooth part lacks there...

Hi, I know how difficult it is, and how small differences makes everything for one viewer and nothing for the other, so I would have to rely on people giving me the benefit of the doubt, or trying advices no matter how thin. I think amongst the best exemples of POP that I have seen are Judith...

Hi, I am new to this forum. I registered because I see a lot of people here are making their own emulsions, and I have a question regarding the results that you get. I have just seen an exhibition made on printing out paper, I believe the Kodak Studio Proof was used, and I was blown away by...