I bought the 70-200 4L (non IS) when I was shooting only digital. By that time around €450, but prices fluctated quite a bit around that time, due to the rate of the yen. Non IS 2.8 and 4.0 IS where around 1000 and 2.8 IS €1900 or so. All above my budget as high school student. If I remember...
That will happen again I am afraid, because the custom employee will see a something undefinable and thinks "let's pump up the power" to see through the bag.
Slovenia is considered as central Europe, not Balkan ;) I believe the income per capita is almost double of for example Portugal. Also cultural i would say they are more like Austrians than Serbs.
Yes but I am not one of those who has spend hundreds of even thousands hours in the darkroom and has a densitrometer.
MCC has a long shelf life and higher capacity than Dektol and black seems to be more black is all I can say.
We better collect some cash - it's Germany after all, nur bares ist wahres - to make it attractive for that guy to come back some time.
No idea how many film you could convert in one week actually, I'm curious now.
On the other hand, some B&W films at Ilford are made at a loss I have read here. But other products cover up for that, the simply want to offer an as broad as possible gamma for us, not discontinuing products if they still can make money over the whole line.
From that perspective, it would be...
Amazing kit!
I paid €750 for a 2.8C Xenotar and another €200 for servicing. That was without lenscap, hood, original filters etc + yours look slightly better. I think whoever buys things has a great deal!
Working at a company that ships by boat to the USA I can say it happens quite often that a boat is delayed.... From my window I can see a container should have been in Rotterdam last monday.
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