Recent content by drew tanner

Is your 5” Aviphot perforated or unperforated?

How much additional in offcuts and 2-ply?

For me, working with a Cirkut camera, the IR goggles a necessity when spooling my own 10x72-inch rolls from 250-foot rolls of aerial film or the 100-foot bulk Ilford rolls, ensuring it’s cut squarely, joining leaders, etc. I was able to break down a 100’ bulk roll of 8” HP5 in a couple of one...

For what it’s worth, I have the Nightfox Swift 2 Pro, listed here: https://us.nightfoxstore.com/products/nightfox-swift-2-pro-night-vision-goggles The Swift 2 Pro has a 940nm mode. I’ve used these across multiple sessions loading a couple hundred feet of film, so far, including Agfa Aviphot...

This uncensored version of this sign from Basecamp Printing hangs in my darkroom to keep me humble.

Is that a good thing? I hope so. 😅

The sink is in place and a joy to use! I have some Cirkut panoramas, 3-5 feet long, that I’m printing for the Midwest Large Format Asylum’s ‘Inspiration Weekend’ May 1-3. The 10-foot Kreonite has plenty of room for processing. I found rebuild kits for all the Chicago faucet valves and the...

I believe they called the 183/138 hybrid the G139.

Like this? To complete the Frankenstein configuration, mine has a De Vere 507 Dichromat MkII head.

PM sent. I’d take a couple for the 45S I recently inherited if you still have some to spare.

I’m interested in this, too.

I’m finally rebuilding the valves and building a frame for this 10-foot sink. Question for those with longer Kreonite sinks: Do you have reinforcement or bracing along the underside? It seems there’s some lengthwise bracing cast into mine, but I wasn’t sure if it would benefit from additional...

A $15 Cen-tech pocket scale from Harbor Freight has worked fine for me for several years. Accurate to 0.1g, which is close enough for anything I’m mixing in the darkroom.

Thanks so much for taking the time to share those details. Beautiful work and a really well executed presentation!

These turned out beautifully. Can you say more about how you toned these prints? And I really like your presentation. The (cherry?) wood frames really compliment the color of the toned cyanotypes nicely. Are these under glass with spacers?