Recent content by DannL-USA

Thank you so much for that info. I had no idea. I'm jumping on that as soon as I get off work.

Interestingly, that was not even his class, but an introduction to the class. I would have loved to attend. I think he passed on in 2020. Sad.

Thank you to everyone for your contribution to this thread thus far. All comments are still welome. I'll be going through each reply, one by one. Please don't hesitate to add your thoughts about the process of working with museums, and getting your work shown. Every post is welcome. Dann in OKC.

"Geez Louise"

Vince, thank you. I don't want to pigeon-hole the intent of my original post. I guess I did just that by specifying MoMA. Next time I'll be more general. This is a really tough crowd. ;-). I welcome any insight into the museum experience. It would be welcomed. I do think of MoMA as The Emerald...

A little off-topic, but I think we got the message. ;-/ With best regards, of course.

Thank you so much for taking the time on this post. This is very enlightening. Dann

Enjoyed that! Thank you. One thing leads to another . . . Just off topic by a smidgen.

I understand that Mr. Adams exhibited 61 prints at MoMA in November '44. I can only imagine it was a boost in name recognition for him.

No, not yet. I'm climbing the ladder. I want to set the bar and learn from others.

https://www.moma.org/calendar/groups/1 https://www.moma.org/calendar/exhibitions/5525 I don't think it's all fashion that ends up in MOMA. Maybe some of the newer works, I suppose.

For all those having that experience, I was curious about the timeline from your project's inception to the day your work was opened to the public at MoMA. Was it everything you expected? Did everything go as planned? Very interested in details, of course. Many thanks in advance.

The Kyocera Samurai is actually a real camera. Had one many years ago. But, the "rendering" in the image above is not that camera.

I'm a true believer that "you make your own luck". So many folks that I know never do anything. You have to do something to generate luck. So, lets talk about bad luck vs. good luck? ;-) Good luck . . . I got a photo of that piano falling off the truck. Bad luck . . . it fell on my new car.

Thanks Brian. Figure 57 of the Patent seems to suggest (I think) that the spring (17) is not engaging the claw. It's going to take a few minutes to absorb how everything interacts, but the text of the Patent document appears very complete. Very enlightening.