First visit to a new location and was fascinated by the surface of this ledge with afternoon sun lighting it obliquely. Standing in the incoming tide and masses of swing applied.
Also rear rise and front rise, so that the sea was visible across the whole of the ledge and below the distant cliffs.
This looked best on the GG. Very soft looked poor and didn't show similarity of cliff structures. I couldn't keep it all sharp since I was very close to the rock and I liked the allusion to the cliffs, but retaining emphasis on the rock of the ledge.
I'm going through a bit of a 'discovery' moment using movements on selected areas of a sheet of film; whilst also re-discovering the fun of a 35mm range-finder. They don't really go hand in hand & therefore I'm jumping too quickly when I see other people's work.
Mark, no problem. I realise my response looks a bit terse, wasn't intended that way. Restricted focus can be very creative and a powerful device. Something I have been learning about and exploiting for a while. So much so, that I managed to buy a Cooke PS945 recently to really exploit the effect. It is unusual for me to use it with a wide angle lens. Coincidentally, I too am using a rangefinder as a foil to the rigours of LF shooting. With this, I use restricted focus much more frequently, despite the fact that the possibilities are far less extensive than with LF. I love the freedom it offers - however, I haven't many 'keepers' from it!