The scans do not come anywhere near the glory of the film. It's been a long time since I shot Velvia and had forgotten how wonderful it is, especially in 120. Only the 4th roll I've put through this camera and it just gets more and more enjoyable.
We're seeing the heavy magenta color shift that was typical of many labs with Velvia. Pro labs often processed Fujichrome slightly differently than Ektachrome in the same processors/chems for that reason. The easiest (and most fun) way to adjust this is with NIK, which simply adjusts visually and non-destructively with sliders rather than requiring direct use of Photoshop or Elements.
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