Most consider blocked highlights to be a bad, or at least an unfortunate, thing. But in this case I think the blocked sunlit highlight is perfect. It well conveys to me that sense of momentary blindness one experiences in these situations. Like being in a darkened room, only to have someone suddenly open a door. Or window shades. A momentary sense of blinding light without any detail, until one's eyes adjust.
I think this is very effective in that regard. I also like the duller glare on the door directly above the blinding glare. That's what one would perceive when the eyes do finally begin to adjust. This image displays a very visually realistic sense to me.
My kind of photograph, so simple yet so full of mystery and emotion. Edward Hopper once wrote the following in a letter to Andrew Wyeth "Andy, as I get older the only thing I want to paint is how sunlight hits a white wall."
Technical tastes aside, spot on composition. I should write a book, how I learned to embrace imperfection and have fun, and no longer compare everything to Ansel Adams.-- well done (well seen).
I'm a sucker for a good door shot. This is a good reminder that subject matter is always right in front of us if we pay attention, you don't have to go on photo expeditions to find something to shoot.
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